
āĻāώ্āĻ āĻŦেāĻ্āĻāϞ āϰেāĻিāĻŽেāύ্āĻ āĻŦাংāϞাāĻĻেāĻļ āϏেāύাāĻŦাāĻšিāύীāϰ āĻৌāϰāĻŦ। āĻĒুāϰো āĻĻুāύিā§াāϰ āĻ
āύ্āϝāϤāĻŽ āĻŦিāĻĒāĻĻāĻāύāĻ āĻāĻ āϰেāĻিāĻŽেāύ্āĻেāϰ āϰā§েāĻে āĻŦাāĻেāϰ āĻŽāϤ āĻļāϤ্āϰুāϰ āĻāĻĒāϰ āĻাāĻĒিā§ে āĻĒāϰে āĻļāϤ্āϰুāĻে āϧ্āĻŦংāϏ āĻāϰাāϰ āĻāϤিāĻšাāϏ। āĻāĻ āϰেāĻিāĻŽেāύ্āĻ āĻাāϰāϤীā§ āϏেāύাāĻŦাāĻšিāύীāĻে āĻĒāϰাāĻিāϤ āĻāϰেāĻে āĻāĻāĻ āϏাāĻĨে āύিāĻ āĻŦাāĻšিāύী āĻĨেāĻে āĻāϞাāĻĻা āĻšā§ে āϤাāĻĻেāϰ āĻĒāϰাāĻিāϤ āĻāϰে āϏ্āĻŦাāϧীāύāϤাā§ āĻŦā§ āĻূāĻŽিāĻা āϰেāĻেāĻে। āĻāĻāĻেāĻ āĻĒā§ে āĻĢেāϞুāύ āĻāώ্āĻ āĻŦেāĻ্āĻāϞ āϰেāĻিāĻŽেāύ্āĻেāϰ āĻāĻ āĻāϞ্āĻিāĻŽেāĻ āϞā§াāĻ, āϝা āĻāĻĒāύাāϰ āĻāϞ্āĻĒāύাāĻে āĻ
āϤিāĻ্āϰāĻŽ āĻāϰāĻŦে, āϏিāύেāĻŽাāĻেāĻ āĻšাāϰ āĻŽাāύাāĻŦে। "āĻŦ্āϝাāĻāϞ āĻ
āĻŦ āĻাāĻŽাāϞāĻĒুāϰ" āϞেāĻāĻ: Sartaj Alim, āϤিāύি āĻĒুāϰো āϝুāĻĻ্āϧেāϰ āĻāĻāύাāĻি āϤিāύāĻি āĻĒāϰ্āĻŦে āϞিāĻেāĻেāύ, āĻāĻŽāϰা āϤিāύāĻি āĻĒāϰ্āĻŦ āĻĒāϰ্āϝাā§āĻ্āϰāĻŽে āĻāĻĒāύাāĻĻেāϰ āϏাāĻŽāύে āϤুāϞে āϧāϰāĻি।
.
āĻŦাংāϞাāĻĻেāĻļেāϰ āϏ্āĻŦাāϧীāύāϤা āϝুāĻĻ্āϧে āĻŦীāϰ āĻĒ্āϰāϤীāĻ āĻĨেāĻে āĻļুāϰু āĻāϰে āĻŦীāϰāĻļ্āϰেāώ্āĻ āĻĒāϰ্āϝāύ্āϤ āĻĒāĻĻāĻ āĻĒেā§েāĻেāύ ā§Ŧā§ā§Ŧ āĻāύ। āĻāϰ āϤাঁāĻĻেāϰ āĻেāϤāϰ ⧍⧝ āĻāύ āĻĒেā§েāĻেāύ āĻেāĻŦāϞ āĻাāĻŽাāϞāĻĒুāϰ (āĻাāĻŽাāϞāĻĒুāϰ āĻেāϞা) āϝুāĻĻ্āϧেāϰ āĻāύ্āϝāĻ। āĻী āĻšā§েāĻিāϞ āϏেāĻাāύে?
★★āĻাāĻŽাāϞāĻĒুāϰেāϰ āϏাāĻŽāϰিāĻ āĻুāϰুāϤ্āĻŦ
āĻ
āĻĒাāϰেāĻļāύ āϏাāϰ্āĻāϞাāĻāĻেāϰ āĻĒāϰ āĻĻেāĻļেāϰ āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āϏāĻŦ āϏ্āĻĨাāύেāĻ āĻĒাāĻāĻŦাāĻšিāύী āĻেঁāĻে āĻŦāϏে। āĻৌāĻļāϞāĻāϤāĻাāĻŦে āĻāĻŽāύāĻ āĻāĻāĻি āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āϏ্āĻĨাāύ āĻিāϞ āĻŦāϰ্āϤāĻŽাāύ āĻাāĻŽাāϞāĻĒুāϰ āĻেāϞাāϰ āĻŦāĻāĻļীāĻāĻ্āĻ āĻāĻĒāĻেāϞাāϰ āϧাāύুā§া āĻাāĻŽাāϞāĻĒুāϰ āĻāĻāύিā§āύ। āĻাāĻŽাāϞāĻĒুāϰ āĻিāĻু āĻাā§āĻাā§ 'āĻāĻŽāϞāĻĒুāϰ' āύাāĻŽেāĻ āĻĒāϰিāĻিāϤ। āĻĒাāĻāĻŦাāĻšিāύী āĻাāύāϤ āĻŽুāĻ্āϤিāĻŦাāĻšিāύী āĻাāϰāϤ āĻĨেāĻে āĻĻেāĻļে āĻĒ্āϰāĻŦেāĻļ āĻāϰে āϏীāĻŽাāύ্āϤ āĻāϞাāĻা āĻĨেāĻে āĻĒাāĻāĻŦাāĻšিāύীāĻে āϤাā§াāϤে āϤাā§াāϤে āĻĸাāĻাāϰ āĻĻিāĻে āĻ
āĻ্āϰāϏāϰ āĻšāĻā§াāϰ āĻেāώ্āĻা āĻāϰāĻŦে। āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻ āϰāĻāĻŽ āĻ
āĻ্āϰāϏāϰ āĻšāĻā§াāϰ āϏāĻŽ্āĻাāĻŦ্āϝ āĻিāĻু āĻĒāĻĨ āĻিāϞ-
ā§§.āĻুāĻŽিāϞ্āϞা-āĻŦ্āϰাāĻš্āĻŽāĻŖāĻŦাā§িā§া āĻšā§ে āĻŽেāĻāύা āύāĻĻী āĻĒাā§ি āĻĻিā§ে āĻĸাāĻা āĻ
āĻিāϝাāύ;
⧍.āĻুāϞāύা-āĻŽাāĻুāϰা āĻšā§ে āĻĒāĻĻ্āĻŽা āύāĻĻী āĻĒাāϰ āĻšā§ে āĻĸাāĻা āĻ
āĻিāϝাāύ;
ā§Š.āϰাāĻāĻļাāĻšী-āĻŦāĻুā§া-āĻĒাāĻŦāύা āĻšā§ে āϝāĻŽুāύা-āĻŦ্āϰāĻš্āĻŽāĻĒুāϤ āύāĻĻী āĻĒাāϰ āĻšā§ে āĻĸাāĻা āĻ
āĻিāϝাāύ;
ā§Ē.āĻাāĻŽাāϞāĻĒুāϰ-āĻŽā§āĻŽāύāϏিংāĻš āĻšā§ে āĻĸাāĻা āĻ
āĻিāϝাāύ āĻāϤ্āϝাāĻĻি।
āĻĸাāĻা āĻ
āĻিāϝাāύেāϰ āϏāĻŽ্āĻাāĻŦ্āϝ āϏāĻŦ āĻĒāĻĨেāĻ āĻŦā§ āύāĻĻী āĻিāϞ। āĻিāύ্āϤু āĻাāĻŽাāϞāĻĒুāϰ-āĻŽā§āĻŽāύāϏিংāĻš āĻĒāĻĨে āĻ
āύ্āϝ āĻĒāĻĨāĻুāϞোāϰ āĻŽāϤো āĻāϤ āĻĒ্āϰāĻļāϏ্āϤ āύāĻĻী āύেāĻ। āĻāĻাā§াāĻ āĻাāĻ্āĻাāĻāϞ āĻ
āĻ্āĻāϞে āĻাāĻĻেāϰিā§া āĻŦাāĻšিāύীāϰ āĻাāϰāĻŖে āĻŦিāĻļাāϞ āĻāĻ āĻŽুāĻ্āϤাāĻ্āĻāϞ āϏৃāώ্āĻি āĻšā§েāĻিāϞ। āĻাāĻ্āĻাāĻāϞ āĻিāϞ āĻাāĻŽাāϞāĻĒুāϰেāϰ āĻĻāĻ্āώিāĻŖে। āĻাāĻŽাāϞāĻĒুāϰ āĻĨেāĻে āĻĒাāĻ āĻŦাāĻšিāύীāĻে āĻšāĻাāύো āĻেāϞে āĻাāĻŽাāϞāĻĒুāϰ-āĻাāĻ্āĻাāĻāϞ āĻŽিāϞে āĻāĻ āĻŦিāĻļাāϞ āĻāϞাāĻা āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āύিā§āύ্āϤ্āϰāĻŖে āĻāϞে āĻāϏāϤ āĻāĻŦং āĻāĻাāύ āĻĨেāĻে āĻĸাāĻা āĻ
āĻিāϝাāύ āĻুāĻŦāĻ āϏāĻšāĻ āĻšāϤো। āĻŽā§āĻŽāύāϏিংāĻš - āĻĸাāĻা āĻŽāĻšাāϏā§āĻেāϰ āĻĒ্āϰāĻŦেāĻļāĻĻ্āĻŦাāϰāĻ āĻāĻি। āϤাāĻ āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻŽোāĻ্āώāĻŽ āϞāĻ্āώ্āϝ āĻাāĻŽাāϞāĻĒুāϰ।
★★āĻাāĻŽাāϞāĻĒুāϰে āĻĒাāĻ āϏেāύাāĻŦিāύ্āϝাāϏঃ
āĻুāϰুāϤ্āĻŦ āĻŦুāĻেāĻ āĻĒাāĻāĻŦাāĻšিāύী āĻাāĻŽাāϞāĻĒুāϰে āĻŦ্āϝাāĻĒāĻ āϏেāύা āϏāĻŽাāĻŦেāĻļ āĻāĻাā§। āĻĒাāĻ āĻāϰ্āĻŽিāϰ ā§¯ā§Š āĻŦ্āϰিāĻেāĻĄেāϰ ā§Šā§§ āĻŦাāϞুāĻ āϰেāĻিāĻŽেāύ্āĻ āĻ
āĻŦāϏ্āĻĨাāύ āύিā§েāĻিāϞ āĻাāĻŽাāϞāĻĒুāϰ, āύāĻāĻļী āĻāϰ āĻŦাāϰোāĻŽাāϰিāϤে। āĻাāĻŽাāϞāĻĒুāϰে ā§Šā§§ āĻŦাāϞুāĻেāϰ āϏাāĻĨে āĻিāϞ-
ā§§.ā§ā§Ļ āϰেāĻ্āĻাāϰ্āϏেāϰ (āĻĒাāĻিāϏ্āϤাāύ āϏীāĻŽাāύ্āϤāϰāĻ্āώা āĻŦাāĻšিāύী) āĻāĻāĻি āĻĒ্āϞাāĻুāύ;
⧍.āĻāϏ্āĻ āĻĒাāĻিāϏ্āϤাāύ āϏিāĻিāϞ āĻāϰ্āĻŽāĻĄ āĻĢোāϰ্āϏ (āĻĒাāĻিāϏ্āϤাāύি āϏেāύাāĻŦাāĻšিāύী āĻĒ্āϰা⧠⧍ā§Ļ āĻšাāĻাāϰ āĻŦিāĻšাāϰিāĻে āĻ
āϏ্āϤ্āϰ āĻĒ্āϰāĻļিāĻ্āώāĻŖ āĻĻিā§ে ‘āϏিāĻিāϞ āĻāϰ্āĻŽāĻĄ āĻĢোāϰ্āϏেāϏ’ āύাāĻŽেāϰ āĻāĻāĻি āĻŦাāĻšিāύী āĻāĻ āύ āĻāϰে);
ā§Š.ā§§ āĻĒ্āϞাāĻুāύ āϰাāĻাāĻাāϰ।
★★āĻাঁāĻি āύিāϰ্āĻŽাāĻŖঃ
āĻŽূāϞ āĻাঁāĻিāĻে āĻেāύ্āĻĻ্āϰ āĻāϰে āĻā§েāĻ āϧাāĻĒে āĻĒ্āϰāĻুāϰ āϰিāĻāύāĻĢোāϰ্āϏāĻŽেāύ্āĻ āĻংāĻ্āϰিāĻেāϰ āĻŦাংāĻাāϰ, āĻোāĻ āĻোāĻ āĻĒিāϞāĻŦāĻ্āϏ (āĻļāĻ্āϤিāĻļাāϞী āĻĻেā§াāϞ āĻেāϰা āĻোāĻ āĻāĻāϧāϰāύেāϰ āĻāϰ। āĻĻেā§াāϞে āĻŦāύ্āĻĻুāĻেāϰ āύāϞ āĻŦেāϰ āĻāϰাāϰ āĻāύ্āϝ āĻিāĻĻ্āϰ āĻĨাāĻে, āϏেāĻাāύ āĻĻিā§ে āĻĢাā§াāϰ āĻāϰা āĻšā§) āϤৈāϰি āĻāϰা āĻšā§। āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāϰা ā§Š āĻāĻ্āĻি āĻŽāϰ্āĻাāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻāϰāϤ। āĻিāύ্āϤু āϰিāĻāύāĻĢোāϰ্āϏāĻŽেāύ্āĻ āĻংāĻ্āϰিāĻেāϰ āĻাāϰāĻŖে āĻāĻ āĻŽāϰ্āĻাāϰ āĻĻিā§ে āĻ্āώāϤি āĻāϰা āϰীāϤিāĻŽāϤো āĻ
āϏāĻŽ্āĻāĻŦ āĻিāϞ। āĻāĻাā§াāĻ āĻিāύ āĻāĻŦং āϞোāĻšাāϰ āĻŦিāĻŽ āĻŦ্āϝāĻŦāĻšাāϰ āĻšā§েāĻিāϞ āĻŦাংāĻাāϰে।
āĻŦাংāĻাāϰāĻুāϞোāϰ āϝোāĻাāϝোāĻেāϰ āĻāύ্āϝ āϏুā§āĻ্āĻ āĻŦা Communication Trench āĻোঁā§া āĻšā§। āϏাāĻŽāύে āĻŦāϏে āĻŽাāĻāύāĻĢিāϞ্āĻĄ (Anti-Tank āĻ Anti-Personal) āĻāĻŦং āĻŦুāĻŦি āĻ্āϰ্āϝাāĻĒ। āĻাঁāĻিāϰ āĻাāϰāĻĒাāĻļে āĻাāĻেāϰ āĻুঁā§ি āĻāϰ āĻংāĻ্āϰিāĻ āĻŦ্āϞāĻ āĻĢেāϞা āĻšā§। āĻŦাংāĻাāϰেāϰ āϏাāĻŽāύেāϰ āĻĻিāĻে āĻ
āύ্āϤāϤ ā§Ģā§Ļā§Ļ āĻŽিāĻাāϰ āĻাāĻ āĻāĻŦং āϏāĻŽāϏ্āϤ āĻāĻ্āĻāϞ āĻেāĻে āϏাāĻĢ āĻāϰে āϰাāĻা āĻšā§, āϝাāϤে āĻেāĻ āĻāϏāϞে āĻŦāύ্āĻĻুāĻেāϰ āĻাāύাāϰ āĻুāĻŦ āϏāĻšāĻেāĻ āϞāĻ্āώ্āϝ āĻāϰāϤে āĻĒাāϰে।
āĻĒāĻĻাāϤিāĻ āϏেāύাāĻĻেāϰ āϏাāĻĨে ā§Žā§§ āĻŽিāϞিāĻŽিāĻাāϰ āĻŽāϰ্āĻাāϰ āĻ āĻāϰ্āĻিāϞাāϰি āĻŽোāϤাā§েāύ āĻāϰা āĻšā§।
āĻāĻāĻি āĻā§াāĻ āĻাāĻā§াāϰāĻ āύিāϰ্āĻŽাāĻŖ āĻāϰা āĻšā§। āĻĸাāĻা āĻĻিā§ে āύিā§āĻŽিāϤ āĻšেāϞিāĻāĻĒ্āĻাāϰে āĻāĻাāύে āϰāϏāĻĻ āϏāϰāĻŦāϰাāĻš āĻāϰা āĻšāϤো। āϏāĻŦ āĻŽিāϞিā§ে āĻĒাāĻিāϏ্āϤাāύ āϏেāύাāĻŦাāĻšিāύী āĻাāĻŽাāϞāĻĒুāϰāĻে āϰীāϤিāĻŽāϤো āĻĻুāϰ্āĻে āĻĒāϰিāĻŖāϤ āĻāϰে।
āϤাāĻĻেāϰ āϧাāϰāĻŖা āĻিāϞ āĻŽুāĻ্āϤিāĻŦাāĻšিāύী āĻāĻ্āϰāĻŽāĻŖ āĻāϰāϞে āĻāĻা āϤাāĻĻেāϰ āĻāύ্āϝ āĻāĻŦāϰāϏ্āĻĨাāύে āĻĒāϰিāĻŖāϤ āĻšāĻŦে āĻāĻŦং āϏুāϰāĻ্āώিāϤ āĻĻুāϰ্āĻেāϰ āĻেāϤāϰে āĻĨাāĻাāϰ āĻāύ্āϝ āϤাāĻĻেāϰ āĻোāύো āĻ্āώāϤি āĻšāĻŦে āύা। āĻাāĻŽাāϞāĻĒুāϰেāϰ āύিāĻāĻāĻŦāϰ্āϤী āĻাঁāĻি āĻŦāĻāĻļীāĻāĻ্āĻেāĻ āϏেāύাāĻĻেāϰ āϏাāĻĨে āĻŽāϰ্āĻাāϰ (ā§Žā§Š āĻŽāϰ্āĻাāϰ āĻŦ্āϝাāĻাāϰি) āĻŽোāϤাā§েāύ āĻāϰেāĻিāϞ āĻĒাāĻāĻŦাāĻšিāύী। āϝেāĻোāύো āĻĻāϰāĻাāϰে āĻāϰা āĻাāĻŽাāϞāĻĒুāϰেāϰ āĻĻিāĻে āĻāĻিā§ে āϝেāϤে āĻĒাāϰāϤ।
āĻুāύ-āĻুāϞাāĻ āĻĨেāĻে āĻŽেāĻāϰ āĻিā§াāĻāϰ āϰāĻšāĻŽাāύেāϰ (āĻĒāϰে āϞেāĻĢāĻ্āϝাāύেāύ্āĻ āĻেāύাāϰেāϞ, āĻŦীāϰ āĻāϤ্āϤāĻŽ) āύেāϤৃāϤ্āĻŦে āĻāĻ িāϤ āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āϏাāĻŽāϰিāĻ āĻŦ্āϰিāĻেāĻĄ āĻেāĻĄ āĻĢোāϰ্āϏ āĻā§ে āĻāĻ েāĻে। āĻŦ্āϰিāĻেāĻĄāĻি āĻŦাংāϞাāĻĻেāĻļ āϏāĻļāϏ্āϤ্āϰ āĻŦাāĻšিāύীāϰ āĻ
āϧীāύে āĻāĻ িāϤ āύিāϝ়āĻŽিāϤ āĻŦাāĻšিāύী āĻšিāϏেāĻŦে āĻাāĻ āĻāϰāϤো। āĻāĻি āĻāĻ িāϤ āĻšāϝ়েāĻিāϞ āĻāϏ্āĻ āĻŦেāĻ্āĻāϞ āϰেāĻিāĻŽেāύ্āĻেāϰ ā§§, ā§Š, ā§Ž āĻŦ্āϝাāĻাāϞিāϝ়āύ āĻĻ্āĻŦাāϰা। āĻেāĻĄ āĻĢোāϰ্āϏāĻে āĻĻাā§িāϤ্āĻŦ āĻĻেāĻā§া āĻšā§ āĻাāĻŽাāϞāĻĒুāϰ āĻāĻ্āϰāĻŽāĻŖেāϰ।
ā§¨ā§Ž āĻুāϞাāĻ, āĻāĻীāϰ āϰাāϤ।
āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻāĻ āĻĻāϞ āĻোāĻĒāύে āĻāϞে āϝাā§ āĻাāĻŽাāϞāĻĒুāϰ āĻাঁāĻিāϰ āĻাāĻাāĻাāĻি। āĻāĻ āĻĻāϞে āĻিāϞেāύ āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻšāĻāĻĻ্āĻĻিāύ āĻŽāĻŽāϤাāĻ (āĻŦীāϰ āĻāϤ্āϤāĻŽ), āϞেāĻĢāĻেāύ্āϝাāύ্āĻ āĻāĻŦ্āĻĻুāϞ āĻŽাāύ্āύাāύ (āĻĒāϰে āϞেāĻĢāĻেāύ্āϝাāύ্āĻ āĻāϰ্āύেāϞ, āĻŦীāϰ āĻŦিāĻ্āϰāĻŽ), āύাā§েāĻ āϏুāĻŦেāĻĻাāϰ āĻāĻŦ্āĻĻুāϞ āĻšাāĻ (āĻŦীāϰ āĻĒ্āϰāϤীāĻ), āϏুāĻŦেāĻĻাāϰ āĻāĻŦুāϞ āĻšাāĻļেāĻŽ (āĻŦীāϰ āĻĒ্āϰāϤীāĻ), āύাā§েāĻ āĻļāĻĢি। āĻāϰ āĻāĻেāĻ āĻĻুāĻŦাāϰ āϰেāĻি āĻāϰা āĻšā§েāĻে। āĻিāύ্āϤু āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻšāĻāĻĻ্āĻĻিāύ āϏ্āĻŦāĻāĻ্āώে āĻĻেāĻāϤে āĻাāύ āϏāĻŦ।
āĻšāĻ াā§ āĻĒেāĻ্āϰāϞিং āĻāϰে āĻĢিāϰে āϝাāĻā§া āĻĻুāĻ āϏেāύাāϰ āĻŽুāĻোāĻŽুāĻি āĻšā§ āϰেāĻি āĻāϰāϤে āĻāϏা āĻĻāϞāĻি। āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻšāĻāĻĻ্āĻĻিāύ āĻাঁāĻĒিā§ে āĻĒā§āϞেāύ āĻāĻāĻāύেāϰ āĻāĻĒāϰ। āĻļুāϰু āĻšāϞো āϧāϏ্āϤাāϧāϏ্āϤি। āĻ
āύ্āϝāĻāύ āϏুāĻŦেāĻĻাāϰ āĻšাāĻā§েāϰ āĻĻিāĻে āĻ
āϏ্āϤ্āϰ āĻঁāĻিā§ে ‘āĻš্āϝাāύ্āĻĄāϏ āĻāĻĒ’ āĻŦāϞাāϰ āϏাāĻĨে āϏাāĻĨেāĻ āϤ্āĻŦāϰিāϤ āĻŦেāĻে āϰাāĻāĻĢেāϞেāϰ āĻŦাঁāĻ āĻĻিā§ে āϤাāĻে āĻুāĻĒোāĻাāϤ āĻāϰāϞেāύ āϏুāĻŦেāĻĻাāϰ āĻšাāĻ। āϤāϤāĻ্āώāĻŖে ā§Ŧ āĻĢুāĻ āϞāĻŽ্āĻŦা āĻ
āύ্āϝ āĻাāύāϏেāύা ā§Ģ āĻĢুāĻ ā§Ģ āĻāĻ্āĻি āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻšāĻāĻĻ্āĻĻিāύāĻে āĻŽাāĻিāϤে āĻেāĻĒে āĻāϞা āĻিāĻĒে āϧāϰেāĻে। āϏাāϞাāĻšāĻāĻĻ্āĻĻিāύ āĻĄাāĻāϞেāύ ‘āĻŽাāύ্āύাāύ’। āϞে. āĻŽাāύ্āύাāύ āĻ āĻšাāĻ āĻুāĻে āĻāϏে āϏ্āĻেāύāĻাāύেāϰ āĻŦ্āϝাāϰেāϞ āĻĻিā§ে āĻুঁāϤো āĻŽাāϰāϤেāĻ āĻুāĻে āĻĒাāϞাāϞ āĻাāύāϏেāύাāĻি। āĻĒাāĻāϏেāύাāϰ āĻĻিāĻে āĻ
āύ্āϧāĻাāϰেāĻ āĻুāϞি āĻুā§āϞেāύ āϏুāĻŦেāĻĻাāϰ āĻšাāĻ।
āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻšāĻāĻĻ্āĻĻিāύ āϏুāĻŦেāĻĻাāϰ āĻšাāĻļেāĻŽেāϰ āĻাঁāϧে āĻāϰ āĻĻিā§ে āĻĻ্āϰুāϤ āĻাঁāĻĻাāĻĒাāύিāϰ āĻŽāϧ্āϝে āĻĻিā§ে āĻĻৌā§ে āύিāϰাāĻĒāĻĻ āĻāϞাāĻাā§ āĻুঁāĻেāύ। āϏুāĻŦেāĻĻাāϰ āĻšাāĻļেāĻŽেāϰ āĻাঁāϧে āϤāĻāύ āĻĻāĻāϞ āĻāϰা āĻ
āϏ্āϤ্āϰ āĻĻুāĻিāĻ āĻিāϞ। āĻিāύ্āϤু āĻĒাāĻāĻŦাāĻšিāύী āϏāϤāϰ্āĻ āĻšā§ে āϝাā§। āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻāĻ্āϰāĻŽāĻŖ āĻāϏāύ্āύ āĻেāĻŦে āϏেāύা āĻŦাā§িā§ে āĻāϰে ⧍ āĻোāĻŽ্āĻĒাāύি। ⧍⧝ āĻুāϞাāĻ āĻĒাāĻ āϏেāύাāĻĒ্āϰāϧাāύ āĻেāύাāϰেāϞ āύিā§াāĻি āĻāĻ āĻাঁāĻি āĻĒāϰিāĻĻāϰ্āĻļāύ āĻāϰে āϝাāύ।
ā§Šā§§ āĻুāϞাāĻ āϰাāϤে āĻŽুāĻ্āϤিāĻŦাāĻšিāύী āĻĒ্āϰāĻĨāĻŽ āĻাāĻŽাāϞāĻĒুāϰে āĻšাāĻŽāϞাāϰ āϏিāĻĻ্āϧাāύ্āϤ āύেā§। āĻেāĻĄ āĻĢোāϰ্āϏেāϰ āĻŽেāĻāϰ āĻŽāĻāύুāϞ āĻšোāϏেāύ (āĻĒāϰে āĻŽেāĻāϰ āĻেāύাāϰেāϞ, āĻŦীāϰ āĻŦিāĻ্āϰāĻŽ) āύেāϤৃāϤ্āĻŦে ā§§ āĻāϏ্āĻ āĻŦেāĻ্āĻāϞ āĻŦ্āϝাāĻাāϞিā§āύāĻে āĻাāĻŽাāϞāĻĒুāϰে āĻšাāĻŽāϞা āĻāϰāϤে āĻŦāϞা āĻšā§। āĻŽেāĻāϰ āĻŽāĻāύ āĻāϤ āĻĻ্āϰুāϤ āĻāĻŽāύ āĻŽিāĻļāύে āϰাāĻি āĻিāϞেāύ āύা। āĻāϰ্āĻিāϞাāϰি/āĻাāĻŽাāύ āϏাāĻĒোāϰ্āĻ āĻাā§া āĻāϰāĻāĻŽ āĻĻুāϰ্āĻ āĻāĻ্āϰāĻŽāĻŖ āĻāϰাāϰ āĻāĻĨা āϏাāϧাāϰāĻŖāϤ āĻেāĻ āĻিāύ্āϤা āĻāϰে āύা।
āϤাāϰ āĻŽāϤে, āĻাāĻŽাāϞāĻĒুāϰেāϰ āĻŽāϤো āϝāĻĨেāώ্āĻ āĻļāĻ্āϤিāĻļাāϞী āĻĒাāĻিāϏ্āϤাāύি āĻাঁāĻিāϤে āϏেāĻāĻĒিāϏ āϝুāĻĻ্āϧেāϰ (āϝে āϝুāĻĻ্āϧে āĻļāϤ্āϰু āĻŦাāĻšিāύীāϰ āĻāĻĒāϰ āĻāĻ্āϰāĻŽāĻŖāĻাāϰীāĻ āĻŦā§ āĻŦাāĻšিāύী āύিā§ে āĻšাāĻŽāϞা āĻāϰে। āĻŦā§ āĻŦাāĻšিāύী āĻোāĻ āĻোāĻ āĻĻāϞে āĻŦিāĻāĻ্āϤ āĻĨাāĻে। āĻ
āĻŦāϏ্āĻĨা āĻŦুāĻে āĻāĻāύো āĻāĻ্āϰāĻŽāĻŖাāϤ্āĻŽāĻ āĻিংāĻŦা āϰāĻ্āώāĻŖাāϤ্āĻŽāĻ āĻĒāĻিāĻļāύে āϝাāĻā§া āĻšā§। āĻ
āύেāĻāĻা āĻĻাāĻŦা āĻেāϞাāϰ āĻŽāϤো।) āĻŽাāϧ্āϝāĻŽে āĻāĻ্āϰāĻŽāĻŖ āĻāϰাāϰ āϏāĻ্āώāĻŽāϤা (āĻ
āϏ্āϤ্āϰ āĻāĻŦং āϏেāύাāϏংāĻ্āϝাā§) āĻেāĻĄ āĻĢোāϰ্āϏেāϰ āĻŦা āϤাāϰ āĻŦ্āϝাāĻাāϞিā§āύেāϰ āύেāĻ।
āĻŽেāĻāϰ āĻŽāĻāύ āĻাāĻāĻিāϞেāύ Hit & Run (āĻোāĻ āĻ
āϤāϰ্āĻিāϤ āĻšাāĻŽāϞা, āĻোāĻেāϰ āĻĒāϞāĻে āĻšাāĻŽāϞা āĻāϰে āĻāĻŦাāϰ āĻļāϤ্āϰুāϰ āĻĻৃāώ্āĻিāϰ āĻŦাāĻāϰে āĻāϞে āϝাāĻā§া) āĻāĻŦং āĻেāϰিāϞা āĻĒāĻĻ্āϧāϤিāϤে āĻĒাāĻিāϏ্āϤাāύি āĻĢোāϰ্āϏāĻে āĻĻুāϰ্āĻŦāϞ āĻ āύাāĻেāĻšাāϞ āĻāϰা। āĻļāĻ্āϤি āĻ্āώ⧠āĻāϰে āĻĻুāϰ্āĻŦāϞ āĻāϰে āϤাāϰāĻĒāϰ āĻĒূāϰ্āĻŖ āĻāĻ্āϰāĻŽāĻŖ āĻāϰা। āĻিāύ্āϤু āĻিā§াāĻāϰ āϰāĻšāĻŽাāύ āϏিāĻĻ্āϧাāύ্āϤ āĻĒাāϞ্āĻাāϞেāύ āύা, āϝাāϰ āĻŽূāϞ āĻাāϰāĻŖ āĻিāϞ āĻšাāĻ āĻāĻŽাāύ্āĻĄেāϰ āύিāϰ্āĻĻেāĻļ āĻāĻŦং āĻাঁāĻিāϰ āϏ্āĻ্āϰ্āϝাāĻেāĻিāĻ āĻুāϰুāϤ্āĻŦ।
★★āĻাāĻŽাāϞāĻĒুāϰ āĻāĻ্āϰāĻŽāĻŖে āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āϏেāύাāĻŦিāύ্āϝাāϏ।
ā§§ āĻāϏ্āĻ āĻŦেāĻ্āĻāϞ āϰেāĻিāĻŽেāύ্āĻেāϰ āϏাংāĻেāϤিāĻ āύাāĻŽ ‘āϏিāύিāϝ়āϰ āĻাāĻāĻাāϰ্āϏ’। āĻāĻ āĻŦ্āϝাāĻাāϞিā§āύেāϰ āĻ
āϧীāύে ā§Ē āĻোāĻŽ্āĻĒাāύি āϏৈāύ্āϝ āĻāĻে। āĻĒুāϰো āĻŦ্āϝাāĻাāϞিā§āύāĻ āĻĒাāĻ āĻŦাāĻšিāύীāϰ āĻĻুāϰ্āĻে āĻšাāĻŽāϞা āĻāϰāĻŦে।
ā§§. āĻ্āϝাāĻĒ্āĻেāύ āĻŽাāĻšāĻŦুāĻŦুāϰ āϰāĻšāĻŽাāύ (āĻŦীāϰ āĻāϤ্āϤāĻŽ) āĻļāϤ্āϰু āĻাঁāĻিāϰ āĻĒেāĻāύে āĻ
āĻŦāϏ্āĻĨাāύ āύেāĻŦেāύ āϤাāϰ āĻোāĻŽ্āĻĒাāύিāϏāĻš।
⧍. āĻ্āϝাāĻĒ্āĻেāύ āĻšাāĻĢিāĻ āĻāĻĻ্āĻĻিāύ āĻāĻšāĻŽেāĻĻ (āĻŦীāϰ āĻŦিāĻ্āϰāĻŽ) āĻ āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻāĻĻ্āĻĻিāύ āĻŽāĻŽāϤাāĻ āĻĒাāĻ āĻাঁāĻিāϰ ā§Ŧā§Ļā§Ļ āĻŽিāĻাāϰ āϏাāĻŽāύে āĻ
āĻŦāϏ্āĻĨাāύ āύেāĻŦেāύ।
ā§Š. āĻŽেāĻāϰ āĻŽāĻāύুāϞ āĻšোāϏেāύ āĻŽāĻāύ āϤাāϰ āĻā§্āϝাāϰāϞেāϏ āĻ
āĻĒাāϰেāĻāϰ āĻāĻŦং āĻĢ্āϞাāĻāĻ āϞেāĻĢāĻেāύ্āϝাāύ্āĻ āϞিā§াāĻāϤ āĻāϞী āĻাāύāϏāĻš āĻĒাāĻāĻ্āώেāϤে āĻ
āĻŦāϏ্āĻĨাāύ āύেāĻŦেāύ।
ā§Ē. āĻāĻāĻু āĻĻূāϰে āĻিāϞাā§ āĻŽেāĻāϰ āĻিā§া āĻŽেāĻļিāύāĻাāύāϏāĻš āĻ
āĻŦāϏ্āĻĨাāύ āύেāĻŦেāύ।
ā§Ģ. āĻাāĻ āĻ
āĻĢ āĻĒাāϰ্āĻি (āϝাāϰা āĻļāϤ্āϰুāϰ āĻĻুāĻ āĻাঁāĻিāϰ āĻŽাāĻেāϰ āϰাāϏ্āϤাā§ āĻ
āĻŦāϏ্āĻĨাāύ āύিā§ে āϝোāĻাāϝোāĻ āĻŦিāĻিāύ্āύ āĻāϰে āĻĻেā§) āĻšিāϏেāĻŦে āĻāĻāĻি āĻŦাāĻšিāύী āĻাāĻŽাāϞāĻĒুāϰ-āĻŦāĻāĻļীāĻāĻ্āĻ āϏā§āĻে āĻŽাāĻāύ āĻĒুঁāϤে āϰেāĻে āĻাāĻŽাāϞāĻĒুāϰ-āĻļ্āϰীāĻŦāϰ্āĻĻি āĻংāĻļāύ āĻāĻŦং āĻāĻ াāύীāĻĒাā§াā§ āĻ
āĻŦāϏ্āĻĨাāύ āĻ্āϰāĻšāĻŖ āĻāϰāĻŦে, āϝাāϤে āĻŦāĻāĻļীāĻāĻ্āĻ āĻĨেāĻে āĻোāύো āĻĒাāĻিāϏ্āϤাāύি āϰিāĻāύāĻĢোāϰ্āϏāĻŽেāύ্āĻ (āύāϤুāύ āĻāϰে āĻāύা āϏেāύা-āϰāϏāĻĻ) āĻাāĻŽাāϞāĻĒুāϰে āĻāϏāϤে āύা āĻĒাāϰে।
★★āĻাāĻŽাāϞāĻĒুāϰে āĻĒ্āϰāĻĨāĻŽ āĻŦā§ āĻšাāĻŽāϞা
ā§Šā§Ļ āϤাāϰিāĻ āϏূāϰ্āϝাāϏ্āϤেāϰ āĻĒāϰāĻ āϰাāϤেāϰ āĻাāĻŦাāϰ āĻেā§ে āĻŽুāĻ্āϤিāĻŦাāĻšিāύী āĻাāϰāϤেāϰ āĻŽāĻšেāύ্āĻĻ্āϰāĻāĻ্āĻ āĻ্āϝাāĻŽ্āĻĒ āĻĨেāĻে āϰāĻāύা āĻĻেā§। āϤুāĻŽুāϞ āĻŦৃāώ্āĻি āĻāϰ āĻাāĻĻাāϰ āĻŽāϧ্āϝে āĻāϞāϤে āĻļুāϰু āĻāϰে āϤাāϰা।
āĻাāĻŽাāϞāĻĒুāϰ āĻāĻ্āϰāĻŽāĻŖেāϰ H hour (āĻāĻ্āϰāĻŽāĻŖ āĻļুāϰুāϰ āϏāĻŽā§, āϝে āϏāĻŽā§ āϏāĻŦ āĻ
āĻŦāϏ্āĻĨাāύ āĻĨেāĻে āĻļāϤ্āϰুāϰ āĻāĻĒāϰ āĻāĻāϏাāĻĨে āĻĢাā§াāϰ āĻļুāϰু āĻšā§।) āĻিāϞ ā§Šā§§ āϤাāϰিāĻ āϰাāϤ āϏাā§ে āϤিāύāĻা। āĻিāύ্āϤু āĻļুāϰুāϤেāĻ āĻāĻāϞ āĻŦিāĻĒāϤ্āϤি। Cut off party āĻāĻŦং āĻŽেāĻāϰ āĻিā§াāϰ āĻŽেāĻļিāύāĻাāύ āĻŦাāĻšিāύী āĻাā§া āĻেāĻāĻ āϏāĻŽā§āĻŽāϤো Forming up place (āĻāĻ্āϰāĻŽāĻŖেāϰ āĻāĻে āϝে āĻ
āĻŦāϏ্āĻĨাāύে āĻিā§ে āϏেāύাāϰা āĻ
āĻŦāϏ্āĻĨাāύ āύেā§)-āĻ āĻĒৌঁāĻাāϤে āĻĒাāϰেāύি।
āĻā§েāĻāĻĻিāύেāϰ āĻাāύা āĻŦৃāώ্āĻিāϤে āĻāϰ্āĻĻāĻŽাāĻ্āϤ āĻāϞাāĻাā§ āĻšাঁāĻাāϰ āĻāϤি āĻ
āύেāĻ āĻļ্āϞāĻĨ āĻšā§ে āĻāϏেāĻিāϞ। āĻাঁāĻিāϰ āĻাāĻাāĻাāĻি āĻāϏে āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻļুā§ে āĻ্āϰāϞ āĻāϰে āĻāĻাāϤে āĻšāĻ্āĻিāϞ, āĻাāϰāĻŖ āϏোāĻা āĻšā§ে āĻšাঁāĻāϞে āĻĒাāĻ āĻŦাāĻšিāύী āĻĻূāϰ āĻĨেāĻেāĻ āĻĻেāĻে āĻĢেāϞāĻŦে। āĻāĻĻিāĻে āĻ H hour āĻļুāϰু āĻšā§ে āϝাāĻā§াā§ āĻিāϞা āĻĨেāĻে āĻŽেāĻļিāύāĻাāύেāϰ āĻুāϞি āĻļুāϰু āĻšā§ে āϝাā§। āĻিāύ্āϤু āĻ
āύ্āϝ āĻĒāĻিāĻļāύে āĻāĻ্āϰāĻŽāĻŖāĻাāϰী āϏেāύাāϰা āĻĒৌঁāĻাāϤেāĻ āĻĒাāϰেāύি। āĻাāĻāϞেāĻ H hour ⧍ā§Ļ-ā§Šā§Ļ āĻŽিāύিāĻ āĻĒেāĻাāύো āϝāϤ। āĻিāύ্āϤু āĻāϰেāĻ āĻŦিāĻĒāĻĻ āϏাāĻŽāύে āĻāϏে āĻĻাঁā§াā§! āĻā§্āϝাāϰāϞেāϏāĻুāϞো āĻাāĻ āĻāϰāĻে āύা। āϏāĻŽāϏ্āϝাāϰ āώোāϞāĻāϞা āĻĒূāϰ্āĻŖ āĻšā§ āĻā§্āϝাāϰāϞেāϏ āĻ্āϝাāĻŽ āĻšā§ে āϝাāĻā§াā§। āĻĢāϞে āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻোāĻŽ্āĻĒাāύিāĻুāϞো āύিāĻেāĻĻেāϰ āĻŽāϧ্āϝে āϝোāĻাāϝোāĻ āϧāϰে āϰাāĻāϤে āĻŦ্āϝāϰ্āĻĨ āĻšā§।
āĻāĻĻিāĻে āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻĢাā§াāϰ āĻļুāϰুāϰ āϏাāĻĨে āϏাāĻĨেāĻ āĻĒাāϞ্āĻা āĻাāĻŽাāύ āĻĻাāĻা āĻļুāϰু āĻāϰে āĻĒাāĻিāϏ্āϤাāύি āϏেāύাāϰা। āĻāϏ্āĻ āĻŦেāĻ্āĻāϞেāϰ āύāϤুāύ āύিā§োāĻ āĻĒাāĻā§া āϏেāύাāϰা āĻĒ্āϰাāĻŖāĻĒāĻŖ āϤāĻāύ Forming up place āĻāϰ āĻĻিāĻে āĻĻৌā§ে āϝাāĻ্āĻেāύ। āĻিāύ্āϤু āϏāĻĻ্āϝ āϰিāĻ্āϰুāĻāĻĻেāϰ āϏাāĻŽāύে āĻāϏে āĻĻাঁā§াā§ āĻāĻŦাāϰ āĻāϰেāĻ āĻŦিāĻĒāĻĻ। āĻাāĻĻা āĻāϰ āĻাāĻŽাāύেāϰ āĻā§াāύāĻ āĻļāĻŦ্āĻĻে āύিāĻেāĻĻেāϰ āĻŽāϧ্āϝে āĻšāĻ্āĻāĻোāϞ āĻļুāϰু āĻšā§। āĻোāϰে āĻĻৌā§াāϤে āĻিā§ে āĻāĻāĻāύ āĻāϰেāĻāĻāύেāϰ āĻাā§েāϰ āĻāĻĒāϰ āĻĒā§ে। āϏāĻŦ āĻŽিāϞিā§ে āĻāĻ্āϰāĻŽāĻŖāĻাāϰী āĻĻāϞ āύিāĻেāϰাāĻ āĻāĻāĻা āĻŦিāĻļৃāĻ্āĻāϞাāϰ āĻŽāϧ্āϝে āĻĒā§ে āϝাā§।
āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āϏৈāύ্āϝāϰা āĻিংāĻāϰ্āϤāĻŦ্āϝāĻŦিāĻŽূā§ āĻšā§ে āĻĒā§āϞ। āĻĒাāĻিāϏ্āϤাāύি āϏৈāύ্āϝāϰা āϏুāϰāĻ্āώিāϤ āĻ
āĻŦāϏ্āĻĨাāύ āĻĨেāĻে āĻĒুāϰো āĻŽাāϤ্āϰাā§ āĻুāϞি āĻļুāϰু āĻāϰেāĻে। āĻাāϰি āĻাāĻŽাāύেāϰ āĻোāϞা āĻāϏে āĻĒā§āĻে āϏাāĻŽāύে, āĻĒেāĻāύে। āĻাāĻĻাāĻŽাāĻি āĻেāĻে āĻāĻāϏāĻ্āĻে āĻāϤ āϞোāĻāĻāύেāϰ āĻĻৌā§োāĻĻৌā§িāϤে āϝে āĻļāĻŦ্āĻĻ āϤৈāϰি āĻšāĻ্āĻিāϞ āϤা āĻĨেāĻে āĻĒাāĻিāϏ্āϤাāύিāĻĻেāϰ āĻĒāĻ্āώে āύিāĻļাāύা āĻ িāĻ āĻāϰা āϏāĻšāĻ āĻšāϞো। āϤাāϰ āĻāĻĒāϰ āĻā§্āϝাāϰāϞেāϏ āĻ্āϝাāĻŽ। āĻŦিāĻļৃāĻ্āĻāϞা āĻāϰāĻŽে āĻĒৌঁāĻাā§।
āĻ āĻ
āĻŦāϏ্āĻĨাā§ ā§§ āĻāϏ্āĻ āĻŦেāĻ্āĻāϞেāϰ āĻĒāĻ্āώে āĻāĻ্āϰāĻŽāĻŖেāϰ āĻŦ্āϝূāĻš āϰāĻāύা āĻāϰা āĻāĻĻৌ āϏāĻŽ্āĻāĻŦ āĻিāϞ āύা। āϝে āϏেāύাāϰ āĻŽেāĻļিāύāĻাāύ āύিā§ে āĻোāύো āĻাāĻেāϰ āύিāĻে āĻ
āĻŦāϏ্āĻĨাāύ āύেā§াāϰ āĻāĻĨা āĻিāϞ āϏে āϤāĻāύāĻ āϤাāϰ āĻĒāĻিāĻļāύে āĻĒৌঁāĻাāϤে āĻĒাāϰেāύি, āϝে āϏেāύাāϰ āϰাāĻāĻĢেāϞ āύিā§ে āĻŦাংāĻাāϰেāϰ āĻĻিāĻে āĻুāϞি āĻāϰাāϰ āĻāĻĨা āĻিāϞ āϏে-āĻ āĻাāĻĻাā§ āĻšাāĻŦুāĻĄুāĻŦু āĻাāĻ্āĻে।
āĻ āĻ
āĻŦāϏ্āĻĨাā§ āϏৈāύ্āϝ āĻĻāϞেāϰ āĻĒাāϞিā§ে āĻāϏাāĻাāĻ āĻ
āϤ্āϝāύ্āϤ āϏ্āĻŦাāĻাāĻŦিāĻ āĻিāϞ। āĻাāϰāĻŖ āĻāĻ্āϰāĻŽāĻŖāĻাāϰী āĻŦাāĻšিāύীāϰ āϝāĻĻি āĻ িāĻāĻŽāϤো āĻĢāϰ্āĻŽ āĻāĻĒ āύা āĻšāϤো, āϤাāĻĻেāϰ āĻĒāĻ্āώে āĻāĻ্āϰāĻŽāĻŖ āĻāϰাāϰ āĻĒ্āϰāĻļ্āύāĻ āĻāϏে āύা।
⧧⧝ā§Ŧā§Ģ āϏাāϞেāϰ āĻĒাāĻ-āĻাāϰāϤ āϝুāĻĻ্āϧেāϰ āϏāĻŽā§ āĻŦিāĻļাāϞ āĻāĻ āĻাāϰāϤীā§ āϏেāύাāĻĻāϞ āϝāĻāύ āĻĢāϰ্āĻŽ āĻāĻĒ āĻāϰāĻিāϞ, āϤāĻāύ āϤিāύāĻি āĻĒাāĻিāϏ্āϤাāύি āĻ্āϝাংāĻ āĻāϏে āĻšাāĻিāϰ āĻšā§, āĻĢāϞে āĻাāϰāϤীā§āϰা āĻĒাāϞিā§ে āϝাā§। āĻĒাāĻিāϏ্āϤাāύিāϰা āĻাāĻŦāĻিāϞ āĻāĻŦাāϰāĻ āϤা-āĻ āĻšāĻŦে। āĻāĻĻিāĻে āĻā§ āĻেঁāĻে āϧāϰে āĻŦাংāϞাāĻĻেāĻļী āϏেāύাāĻĻেāϰ āĻŽāϧ্āϝে। āĻāϰ āĻā§েāϰ āĻোāύো āĻŦাāĻāĻŦিāĻাāϰ āύেāĻ। āĻāĻা āϏāĻŦাāĻāĻে āϏāĻŽাāύāĻাāĻŦে āĻ্āϰাāϏ āĻāϰে।
āĻিāύ্āϤু āĻĒ্āϰāϤিāĻূāϞāϤাāϰ āĻŽāϧ্āϝেāĻ āĻ
āύেāĻ āϏāĻŽā§ āĻেāĻ āĻেāĻ āĻšā§ে āĻāĻ েāύ āĻŽāĻšাāĻŽাāύāĻŦ। āĻāĻŽā§āĻাāϰ āĻোāύো āĻ
āϤিāĻŽাāύāĻŦীā§ āĻাāĻ āĻĻিā§ে āĻĒ্āϰāϤিāĻূāϞāϤাāĻে āĻĒ্āϰāϤিāĻĒāĻ্āώেāϰ āĻĻিāĻে āĻ েāϞে āĻĻেāύ। āĻŽুāĻ্āϤিāĻŦাāĻšিāύী āϝāĻāύ āϰীāϤিāĻŽāϤো āύাāĻাāϞ, āϤāĻāύ āύāϤুāύ āĻ
āϏ্āϤ্āϰ āύিā§ে āĻাঁāĻĒিā§ে āĻĒā§েāύ āĻĄেāϞ্āĻা āĻোāĻŽ্āĻĒাāύিāϰ āĻāĻŽাāύ্āĻĄাāϰ āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻāĻĻ্āĻĻিāύ āĻŽāĻŽāϤাāĻ।
★★āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻŽāϧ্āϝে āϝāĻāύ āĻĒূāϰ্āĻŖ āĻšাāϰেāϰ āĻā§ āĻেঁāĻে āϧāϰāĻে āĻ িāĻ āϤāĻāύāĻ āĻš্āϝাāύ্āĻĄāĻŽাāĻāĻে āĻļোāύা āĻেāϞ āĻāĻ āϏাāĻšāϏী āĻāĻŖ্āĻ !
āĻĄেāϞ্āĻা āĻোāĻŽ্āĻĒাāύি āĻāĻŽ্āϝাāύ্āĻĄাāϰ āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻāĻĻ্āĻĻিāύ (āĻļāĻšীāĻĻ, āĻŦীāϰ āĻāϤ্āϤāĻŽ) āϝāĻāύ āĻŽাāĻāύāĻĢিāϞ্āĻĄে āĻĻাঁā§িā§ে āϤীāĻŦ্āϰ āĻĢাā§াāϰিং āĻāϰ āĻŽুāĻে āĻĒā§েāĻেāύ, āϤāĻāύ āϏাāĻšāϏ āύা āĻšাāϰিā§ে āĻš্āϝাāύ্āĻĄāĻŽাāĻāĻে āĻĒাāĻāĻŦাāĻšিāύীāϰ āĻāĻĻ্āĻĻেāĻļ্āϝে āĻিā§āĻাāϰ āĻāϰāϤে āĻĨাāĻেāύ,
“āĻāĻি āϤāĻ āĻā§াāĻ্āϤ āĻš্āϝাā§, āĻļাāϞাāϞোāĻ āϏাāϰেāύ্āĻĄাāϰ āĻāϰো, āύেāĻšিāϤ āĻিāύ্āĻĻা āύেāĻšি āĻোā§েāĻ্āĻা।
(āϏāĻŽā§ āĻĨাāĻāϤে āϏাāϰেāύ্āĻĄাāϰ āĻāϰো, āĻĒāϰে āĻীāĻŦিāϤ āĻাā§āĻŦ āύা)
āĻāϝ়াāĻšিāϝ়া āĻাāύ āĻāĻāύāĻ āĻāĻŽāύ āĻŦুāϞেāĻ āϤৈāϰি āĻāϰāϤে āĻĒাāϰে āύাāĻ, āϝা āĻŽāĻŽāϤাāĻāĻে āĻেāĻĻ āĻāϰāĻŦে।
āϝāĻĻি āĻŽāϰāϤেāĻ āĻšā§, āĻĒাāĻāϏেāύা āϏাāĻĨে āύিā§ে āϝাāĻ। āĻŦাংāϞাāϰ āĻŽাāĻিāϤে āĻļāĻšিāĻĻ āĻšāĻ āĻোā§াāύেāϰা!”
āĻŦাংāϞা-āĻāϰ্āĻĻু-āĻংāϰেāĻি āĻŽিāĻļিā§ে āĻĒাāĻāϏেāύাāĻĻেāϰ āĻš্āϝাāύ্āĻĄāĻŽাāĻāĻে āĻŦ্āϝাāĻĒāĻ āĻাāϞাāĻাāϞি āĻļুāϰু āĻāϰেāύ āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻāĻĻ্āĻĻিāύ। āĻāϰāĻ āĻŽāϧ্āϝে āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻā§ āĻĒāϰিāĻŖāϤ āĻšāϤে āĻļুāϰু āĻāϰে āĻŽāύোāĻŦāϞে। āϏেāύাāϰা āĻāĻāύāĻŦিāĻĻাāϰী āϏ্āϞোāĻাāύে "āĻā§ āĻŦাংāϞা" āϧ্āĻŦāύি āϤুāϞে āĻāĻ্āϰāĻŽāĻŖ āĻļুāϰু āĻāϰে। āĻāĻā§াāύāϰা āĻĻ্āϰুāϤ āĻĢāϰ্āĻŽ āĻāĻĒ āĻāϰাāϰ āĻেāώ্āĻা āĻāϰāϤে āĻĨাāĻে। āĻ
āύ্āϧāĻাāϰ, āĻাāĻĻাā§ āĻāĻāĻāύ āĻāϰেāĻāĻāύেāϰ āĻāĻĒāϰ āĻāϏে āĻĒā§āĻে। āύিāĻু āĻāϰ্āĻĻāĻŽাāĻ্āϤ āĻāĻŽিāϤে āύেāĻŽে āĻāϏা āĻŦাāĻাāϞি āϏৈāύিāĻেāϰা āϏāĻŦāĻেā§ে āĻŦিāĻĒāĻĻে āĻĒā§āϞ। āĻļāϤ্āϰু āĻāĻŦং āϏāĻšāϝোāĻĻ্āϧাāĻĻেāϰ āĻুāϞিāϰ āĻŽাāĻāĻাāύে āϤাāϰা। āĻŽেāĻāϰ āĻŽāĻāύāĻ āϤāĻāύ āĻāϞা āĻĢাāĻিā§ে āĻিā§āĻাāϰ āĻāϰāĻেāύ।
āĻĄেāϞ্āĻা āĻāĻŦং āĻŦ্āϰাāĻোāϰ āĻāĻŽাāύ্āĻĄাāϰ āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻšāĻāĻĻ্āĻĻিāύ āĻāϰ āĻšাāĻĢিāĻ āĻুāĻে āĻŦেā§াāĻ্āĻেāύ āϏāĻŦাāĻāĻে āĻāĻāϤ্āϰ āĻāϰে āĻ িāĻāĻŽāϤো āĻĒāĻিāĻļāύে āύেāĻŦাāϰ āĻāύ্āϝে। āĻĻুāĻ āĻāĻŽাāύ্āĻĄাāϰ āĻৃāϤিāϤ্āĻŦেāϰ āϏাāĻĨে āĻĒ্āϰাā§ āĻŦেāϏাāĻŽাāϞ āĻĒুāϰো āĻŦাāĻšিāύীāĻে āύিā§āύ্āϤ্āϰāĻŖে āύিā§ে āĻāϞেāύ। āĻ্āϝাāĻŽ্āĻĒেāϰ āĻĻিāĻে āϝāĻāύāĻ āĻ
āĻ্āϰāϏāϰ āĻšāϤে āĻļুāϰু āĻāϰāϞেāύ āϤাāϰা, āϤāĻāύāĻ āĻŦāĻ্āϰāĻĒাāϤেāϰ āĻŽāϤো āĻļুāϰু āĻšāϞো āĻĒাāĻিāϏ্āϤাāύি āĻāϰ্āĻিāϞাāϰিāϰ āϏেāϞāĻো āĻĢাā§াāϰ (āϏāĻŦ āĻŦāύ্āĻĻুāĻ/ āĻাāĻŽাāύেāϰ āĻāĻāϏাāĻĨে āĻĢাā§াāϰ)। āϏāĻŦাāĻ āĻļুā§ে āĻĒā§āϞ āĻŽাāĻিāϤে। āĻāϤ āĻāώ্āĻেāϰ āĻĒāϰāĻ āĻি āĻāĻ্āϰāĻŽāĻŖ āĻāϰা āϏāĻŽ্āĻāĻŦ āĻšāĻŦে āύা?
āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻāĻĻ্āĻĻিāύ āĻāĻŦাāϰ āĻŽেāĻাāĻĢোāύ āϤুāϞে āύিāϞেāύ। ‘Move Forward!’ āĻāĻāĻ āϏাāĻĨে āĻŽেāĻাāĻĢোāύে āĻĒাāĻিāϏ্āϤাāύিāĻĻেāϰ āϞāĻ্āώ্āϝ āĻāϰে āĻŦাংāϞা-āĻংāϰেāĻি-āĻāϰ্āĻĻু āĻŽিāĻļিā§ে āĻŦ্āϝাāĻĒāĻ āĻাāϞাāĻাāϞি āĻļুāϰু āĻāϰāϞেāύ āϤিāύি।
★★āĻāĻ āĻĒāϰ্āϝāύ্āϤ āϝুāĻĻ্āϧ āĻĒাāĻিāϏ্āϤাāύিāĻĻেāϰ āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻ
āύুāĻূāϞে āĻিāϞ। āϤাāĻĻেāϰ āĻā§ āĻিāϞ āϏāĻŽā§েāϰ āĻŦ্āϝাāĻĒাāϰ āĻŽাāϤ্āϰ।
āĻিāύ্āϤু āĻāϰāĻĒāϰ āĻāĻŽāύ āĻিāĻু āĻāĻāϞ āϝাāϤে āϤাāĻĻেāϰ āĻāϤ্āĻŽা āĻā§ে āϝাāĻŦাāϰ āĻĻāĻļা āĻšāϞো!
āĻā§ āĻŦাংāϞা
āĻā§ āĻŦাংāϞা
āĻĒেāĻāύে āĻĨাāĻা āϏেāύা āĻĨেāĻে āĻļুāϰু āĻāϰে āĻĢ্āϰāύ্āĻāϞাāĻāύে āĻŦোāĻŽাā§ āĻšাāϤেāϰ āĻšাā§ āĻŦেāϰ āĻšā§ে āϝাāĻā§া āϏেāύাāĻ āĻāĻāϏাāĻĨে āĻিā§āĻাāϰ āĻĻিā§ে āĻāĻ āϞ। āĻĒ্āϰāĻĨāĻŽ āĻে āĻā§ āĻŦাংāϞা āϧ্āĻŦāύি āϤুāϞেāĻিāϞ āĻাāύা āϝাā§āύি। āĻিāύ্āϤু āĻāĻāĻāύ āϏ্āϞোāĻাāύ āϤোāϞাāϰ āϏাāĻĨে āϏাāĻĨেāĻ āϏāĻŦাāĻ āĻāĻāύাāĻাā§ে āϏ্āϞোāĻাāύ āĻĻিāϤে āĻĨাāĻāϞ।
"āĻā§ āĻŦাংāϞা" āϏ্āϞোāĻাāύ āĻĻিāϤে āĻĻিāϤে āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻāĻĻ্āĻĻিāύেāϰ āĻĄেāϞ্āĻা āĻোāĻŽ্āĻĒাāύি āĻĒ্āϰāĻāĻŖ্āĻĄ āĻāĻ্āϰāĻŽāĻŖ āĻāϰে āĻĒাāĻিāϏ্āϤাāύিāĻĻেāϰ āĻĄিāĻĢেāύ্āϏ āϞাāĻāύেāϰ āϏাāĻŽāύেāϰ āĻŦাংāĻাāϰে āĻĸুāĻে āĻĒā§ে। āĻĒাāĻāĻŦাāĻšিāύী āĻĒ্āϰāĻĨāĻŽ āϏাāϰিāϰ āĻŦাংāĻাāϰ āĻĨেāĻে āĻĒিāĻু āĻšāĻে।āĻŦাংāĻাāϰ āĻĒাāϰ āĻšā§ে ⧍ā§Ļ-⧍ā§Ģ āĻāύ āĻŽুāĻ্āϤিāϝোāĻĻ্āϧা āĻĸুāĻে āĻĒā§āϞ āĻĒাāĻāĻŦাāĻšিāύীāϰ āĻāĻāϤাāϧীāύ āĻāĻŽিāĻāύিāĻি āϏেāύ্āĻাāϰে। āĻেāϤāϰে āϝেāϏāĻŦ āĻĒাāĻিāϏ্āϤাāύি āϏৈāύ্āϝ āĻিāϞ āϤাāĻĻেāϰ āϏাāĻĨে āĻšাāϤাāĻšাāϤি āϞā§াāĻ āĻļুāϰু āĻšāϞো। āĻŦেā§āύেāĻ āĻাāϰ্āĻ, āϧāϏ্āϤাāϧāϏ্āϤি āĻļুāϰু āĻšā§। āĻŽাāϤ্āϰ āĻĻুāĻāύ āĻŦাāĻাāϞি āϏৈāύ্āϝ āĻāĻšāϤ āĻ
āĻŦāϏ্āĻĨাā§ āĻĢিāϰে āĻāϞেāύ। āĻŦাāĻি āϏāĻŦাāĻ āĻļāĻšিāĻĻ āĻšāϞেāύ āϏেāĻ āĻšাāϤাāĻšাāϤি āϝুāĻĻ্āϧে। āϝুāĻĻ্āϧেāϰ āĻŽā§āĻĻাāύে āĻ
āύ্āϝ āϏāĻŦ āĻাā§āĻাā§āĻ āĻšাāϤাāĻšাāϤি āĻāϞāĻে। āĻāĻšāϤ āϏৈāύ্āϝ āĻāϰ āϞাāĻļেāϰ āĻā§াāĻā§ি āϏāĻŦ āĻাā§āĻাā§।
★★āϏুāĻŦেāĻĻাāϰ āĻšাāĻ āϤাāϰ āĻĒ্āϞাāĻুāύ āύিā§ে āϝে āĻāϞাāĻাā§ āĻĸুāĻে āĻĒā§েāĻেāύ āϏেāĻা āĻāĻāĻা āĻŽাāĻāύ āĻĢিāϞ্āĻĄ। āĻĢেঁāϏে āĻেāϞেāύ āϤিāύি āĻĒুāϰো āĻĻāϞ āύিā§েāĻ। āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻāĻĻ্āĻĻিāύ āĻŦুāĻāϤে āĻĒাāϰāϞেāύ āĻĒাāĻāϏেāύাāϰা āĻĒ্āϰāĻĨāĻŽ āϏাāϰিāϰ āĻŦাংāĻাāϰ āĻেā§ে āĻāϰো āĻĒেāĻāύে āϏেāĻেāύ্āĻĄ āϞাāĻāύে āĻāϞে āĻেāĻে। āϏেāĻাāύ āĻĨেāĻে āĻāĻŦাāϰ āĻāĻাāϤ āĻšাāύাāϰ āĻĒ্āϰāϏ্āϤুāϤি āύিāĻ্āĻে। āĻāĻĻিāĻে āĻŽাāĻāύ āĻĢিāϞ্āĻĄে āĻāĻে-āĻĒিāĻে āĻāϞāϤে āĻেāϞেāĻ āĻŦিāĻĒāĻĻ। āϏাāϞাāĻāĻĻ্āĻĻিāύ āĻāĻŽাāύ্āĻĄ āĻāϰāϞেāύ āϏুāĻŦেāĻĻাāϰ āĻšাāĻāĻে āϤাāϰ āϏৈāύ্āϝ āύিā§ে āĻĄাāύে āϏāϰে āϝেāϤে। āĻŦিāĻāĻ āĻļāĻŦ্āĻĻে āĻŦিāϏ্āĻĢোāϰিāϤ āĻšāĻ্āĻে āĻŽাāĻāύ। āϏুāĻŦেāĻĻাāϰ āĻšাāĻ-āĻāϰ āϏাāĻĨে ā§Ēā§Ļ āĻāύ āϏৈāύ্āϝ āĻিāϞ। āϞāĻ্āώ্āϝে āĻĒৌঁāĻāϤে āĻিā§ে āĻ
āĻ্āώāϤ āϏৈāύ্āϝ āϏংāĻ্āϝা āĻĻাঁā§াāϞ ā§§ā§Ģ-⧍ā§Ļ āĻāύে।
āύাā§েāĻ āĻļāĻĢিāϰ (āĻŦীāϰ āĻĒ্āϰāϤীāĻ) āĻāĻāĻা āĻšাāϤ āĻā§ে āĻেāϞ āĻŽাāĻāύেāϰ āĻāĻাāϤে। āϤāĻŦুāĻ āĻĨাāĻŽāϞেāύ āύা āϤিāύি। āϏাāϞাāĻšāĻāĻĻ্āĻĻিāύ āĻŽৃāϤ্āϝুāĻā§ āĻুāϞে āĻāĻিā§ে āϝাāĻ্āĻেāύ āϏাāĻŽāύে। āĻĒেāĻāύ āĻĨেāĻে āĻāĻāĻāύ āĻিā§āĻাāϰ āĻāϰে āĻāĻ āϞ, "āϏ্āϝাāϰ āĻĒāĻিāĻļāύে āϝাāύ" āĻ
āϰ্āĻĨাā§ āĻŽাāĻিāϤে āĻļুā§ে āĻĒā§াāϰ āĻāĻĨা āĻŦāϞāϞ। āϏাāϞাāĻšāĻāĻĻ্āĻĻিāύ āϤাāĻে āϧāĻŽāĻে āĻāĻ āϞেāύ, ‘āĻŦ্āϝাāĻা āϏ্āϝাāϰ āϏ্āϝাāϰ āĻāϰে āĻিā§āĻাāϰ āĻāϰিāϏ āύা। āĻļāϤ্āϰুāϰা āĻāĻŽাāϰ āĻ
āĻŦāϏ্āĻĨাāύ āĻেāϰ āĻĒেā§ে āϝাāĻŦে। āĻিāύ্āϤা āĻāϰিāϏ āύা, āϤুāĻ āĻŦ্āϝাāĻা āĻāĻŽাāϰ āĻাāĻে āĻāϏে āĻĻাঁā§া। āĻুāϞি āϞাāĻāĻŦে āύা, āĻā§াāĻšিā§া āĻাāύ āĻāĻāĻ āĻāĻŽাāϰ āĻāύ্āϝ āĻুāϞি āĻŦাāύাāϤে āĻĒাāϰেāύি।“
āĻāϰেāĻ āĻĻāĻĢা āĻāĻ্āϰāĻŽāĻŖে āĻļāϤ্āϰুāĻĻেāϰ āύিāĻļ্āĻিāĻš্āύ āĻāϰাāϰ āĻĒāϰিāĻāϞ্āĻĒāύা āĻāϰāĻিāϞেāύ āϤিāύি। āĻš্āϝাāύ্āĻĄāĻŽাāĻāĻāĻা āĻāĻŦাāϰ āĻšাāϤে āϏুāĻŦেāĻĻাāϰ āĻšাāĻāĻে āĻĄাāĻ āĻĻিāϞেāύ। āϏāĻ্āĻে āϏāĻ্āĻে āĻĻু-āϤিāύāĻে āĻŦোāĻŽা āϤাāϰ āϏাāĻŽāύে āĻāϏে āĻĒā§āϞ। āϏৈāύ্āϝāϰা āĻĻেāĻāϞ āϏ্āϞো-āĻŽোāĻļāύেāϰ āĻŽāϤো āĻāĻāĻŦাāϰ āĻŦাঁā§ে, āĻĒāϰে āĻāϧা āĻĄাāύে āĻŦেঁāĻে āĻĒā§ে āĻেāϞ āϤাāϰ āĻĻেāĻš।
āĻāĻāĻāύ āĻোā§াāύ āĻুāĻে āĻāϏে āĻŦāϞāϞ, "āϏ্āϝাāϰ āĻāϞেāĻŽা āĻĒā§েāύ।"
āĻŽৃāϤāĻĒ্āϰাā§ āϏাāϞাāĻāĻĻ্āĻĻিāύ āĻŦāĻ্āϰāĻāĻŖ্āĻ ে āĻŦāϞāϞেāύ,
“āĻāĻŽাāϰ āĻāϞেāĻŽা āĻĒā§াāϰ āĻĻāϰāĻাāϰ āύেāĻ। āĻāĻŽাāϰ āĻাāϞেāĻŽা āĻāĻেāĻ āĻšā§ে āĻেāĻে। āĻোāĻĻাāϰ āĻāϏāĻŽ, āϝে āĻĒেāĻāύে āĻšāĻāĻŦি āϤাāĻেāĻ āĻুāϞি āĻāϰāĻŦ। āĻŽāϰāϤে āϝāĻĻি āĻšā§ āĻĻেāĻļেāϰ āĻŽাāĻিāϤে āĻŽāϰ। āĻāĻĻেāϰ āĻŽেāϰে āϤাāϰāĻĒāϰ āĻŽāϰ।“
āĻļāĻšীāĻĻ āĻšāϞেāύ āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻāĻĻ্āĻĻিāύ। āϏাāĻĻা āĻļাāϰ্āĻ āϞাāϞ āϰāĻ āϧাāϰāĻŖ āĻāϰেāĻে āϤāĻāύ। āĻļাāϰ্āĻāĻি āĻিāϞ āϤ্āϰাāĻŖেāϰ āĻĒāĻŖ্āϝ āĻšিāϏেāĻŦে āĻāϏা। āĻŦাংāϞাāĻĻেāĻļেāϰ āĻāĻāĻāύ āϏেāύাāĻŦাāĻšিāύীāϰ āĻ্āϝাāĻĒ্āĻেāύ āĻĒāϰ্āϝāύ্āϤ āϤ্āϰাāĻŖেāϰ āĻļাāϰ্āĻ āĻĒāϰে āϝুāĻĻ্āϧ āĻāϰেāĻেāύ! āĻāϤ āĻĒ্āϰāϤিāĻূāϞāϤাāϰ āĻŽāϧ্āϝে āϤাāϰা āϝুāĻĻ্āϧ āĻāϰেāĻেāύ, āϏেāĻা āĻŦোāĻাāϤে āĻāϰ āĻিāĻু āĻŦāϞাāϰ āĻĒ্āϰā§োāĻāύ āύেāĻ āĻŽāύে āĻšā§। āĻāĻāĻি āĻুāϞি āϞাāĻে āϤাāϰ āĻļāϰীāϰে। āϤাāϰ āĻā§ি, āĻĒāĻেāĻেāϰ āĻাāĻāĻ āĻāϰ āϏ্āĻেāύāĻাāύ āύিā§ে āĻāϏে āϏāĻšāϝোāĻĻ্āϧাāϰা। āϤাāϰ āĻŽৃāϤāĻĻেāĻš āĻāĻĻ্āϧাāϰ āĻāϰāϤে āĻিā§ে āĻļāĻšীāĻĻ āĻšāύ āĻāϰো āϤিāύāĻāύ। āϤāĻŦে āĻĻুāϰ্āĻাāĻ্āϝ, āϤাāϰ āĻŽৃāϤāĻĻেāĻš āĻāĻĻ্āϧাāϰ āĻāϰা āϝাā§āύি।
★★āĻ্āϝাāĻĒ্āĻেāύ āϏাāϞাāĻāĻĻ্āĻĻিāύ āύিāĻšāϤ āĻšāĻŦাāϰ āĻāĻŦāϰ āĻাāύāϤে āĻĒেāϰে āĻŽেāĻāϰ āĻŽāĻāύ āĻā§্āϝাāϰāϞেāϏে āĻ্āϝাāĻĒ্āĻেāύ āĻŽাāĻšāĻŦুāĻŦāĻে āĻāĻŽাāύ্āĻĄ āĻāϰেāύ āĻĒেāĻāύ āĻĨেāĻে āĻāĻ্āϰāĻŽāĻŖেāϰ āĻāύ্āϝ। āĻিāύ্āϤু āĻā§্āϝাāϰāϞেāϏāĻুāϞো āĻ িāĻāĻŽāϤো āĻাāĻ āύা āĻāϰাā§ āϏেāĻ āύিāϰ্āĻĻেāĻļ āĻĒৌঁāĻাā§ āύা āĻ্āϝাāĻĒ্āĻেāύ āĻŽাāĻšāĻŦুāĻŦেāϰ āĻাāĻে। āĻিāύ্āϤু āĻ্āϝাāĻĒ্āĻেāύ āĻŽাāĻšāĻŦুāĻŦেāϰ āϏাā§া āύা āĻĒেā§ে āϤিāύি āĻোāĻĒāĻাā§ āĻাāĻেāϰ āĻā§াāϞ āĻĨেāĻে āĻোāϞা āĻাā§āĻাā§ āĻāϞে āĻāϏেāύ āϝাāϤে āĻā§্āϝাāϰāϞেāϏ āĻাāϞোāĻাāĻŦে āĻাāĻ āĻāϰāϤে āĻĒাāϰে। āĻ āϏāĻŽā§ āĻŽেāĻļিāύāĻাāύেāϰ āĻুāϞি āĻāϏে āϤাāϰ āĻā§্āϝাāϰāϞেāϏ āĻ
āĻĒাāϰেāĻāϰ āĻļāĻšীāĻĻ āĻšāύ।
āĻŽেāĻāϰ āĻŽāĻāύ āĻিā§āĻাāϰ āĻāϰে āĻāĻŽাāύ্āĻĄ āĻĻিāϤে āĻĨাāĻেāύ।āĻĒ্āϰাā§ āĻāĻāĻ āϏāĻŽā§ে āĻ্āϝাāĻĒ্āĻেāύ āĻšাāĻĢিāĻ āĻāĻŦং āϞে. āĻŽাāύ্āύাāύ āĻāĻšāϤ āĻšāύ। āĻ্āϝাāĻĒ্āĻেāύ āĻšাāĻĢিāĻেāϰ āĻšাāϤে āĻোāϞা āĻāĻাāϤ āĻāϰে, āϞে. āĻŽাāύ্āύাāύেāϰ āĻāϰুāϤে āĻুāϞি āϞাāĻে। āϞে. āĻŽাāύ্āύাāύāĻে āϧāϰে āĻĢ্āϞাāĻং āĻ
āĻĢিāϏাāϰ āϞিā§াāĻāϤ āĻāϞী āĻাāύ āύিāϰাāĻĒāĻĻ āĻĻূāϰāϤ্āĻŦে āĻāϞে āĻেāϞেāύ।
āĻāĻšāϤ āĻ্āϝাāĻĒ্āĻেāύ āĻšাāĻĢিāĻāĻে āĻāĻĻ্āϧাāϰ āĻāϰāϤে āĻ
āĻ্āϰāϏāϰ āĻšāϤেāĻ āĻুāϞি āϞাāĻāϞ āύাā§েāĻ āϰāĻŦিāĻāϞেāϰ। āĻিāύ্āϤু āĻĨাāĻŽāϞেāύ āύা āϤিāύি। āĻাāĻে āĻিā§ে āĻĻেāĻāϞেāύ, āĻ্āϝাāĻĒ্āĻেāύ āĻšাāĻĢিāĻāĻে āĻ
āύ্āϝ āĻেāĻ āϏāϰিā§ে āύিā§ে āĻেāĻে।
āĻĒাāĻļে āĻĒā§ে āĻāĻে āĻā§্āϝাāϰāϞেāϏ āϏেāĻ āĻāϰ āϰāĻেāĻ āϞāĻ্āĻাāϰ। āϏেāĻ āĻĻুāĻো āϤোāϞাāϰ āĻāύ্āϝে āĻāĻŦু āĻšāϤেāĻ āĻুāϞি āĻāϏে āĻŦুāĻে āϞাāĻāϞ āϰāĻŦিāĻāϞেāϰ। āϤাāϰ āĻĄাāύ āĻšাāϤেāϰ āĻšাā§ āĻŦেāϰ āĻšā§ে āĻিā§েāĻিāϞ। āĻĒā§ে āĻেāϞেāύ āϤিāύি। āϤাāϰāĻĒāϰ āĻেā§াāϞ āĻšāϞো āĻāĻāύো āĻŦেঁāĻে āĻāĻেāύ। āĻļāĻ্āϤি āϏāĻ্āĻā§ āĻāϰে āĻāĻ ে āĻĻাঁā§াāϞেāύ। āĻ্āϰেāύেāĻĄ āĻšাāϤে āύিā§ে āĻĒ্āϰাāĻŖāĻĒāĻŖে āĻুāĻāϤে āĻļুāϰু āĻāϰāϞেāύ। āϤাāϰ āĻāĻĻ্āĻĻেāĻļ্āϝ āĻিāϞ āĻĒাāĻāϏেāύাāϰা āϤাāĻে āĻীāĻŦিāϤ āϧāϰāϤে āĻāϞে āϤাāĻĻেāϰ āĻাāĻšাāύ্āύাāĻŽে āĻĒাāĻ াāĻŦেāύ āĻ্āϰেāύেāĻĄ āĻĻিā§ে। āĻŦৃāώ্āĻিāϰ āĻŽāϤো āĻুāϞি āĻাāϰāĻĒাāĻļ āĻĻিā§ে āĻুāĻে āĻেāϞ। āĻāĻļ্āĻāϰ্āϝ! āϤাāϰ āĻāĻāĻিāĻ āĻুāϞি āĻাā§ে āϞাāĻāϞ āύা। āĻুāϰুāϤāϰ āĻāĻšāϤ āĻ
āĻŦāϏ্āĻĨাā§ āϰāĻ্āϤাāĻ্āϤ āĻĻেāĻšে āĻুāĻে āĻāϞেāύ āϤিāύি। āĻ āϏāĻŽā§ āĻোāĻĨা āĻĨেāĻে āĻāϏে āϝেāύ āĻāĻĻā§ āĻšāύ āĻ্āϰাāĻŽেāϰ āĻĻুāĻ āύাāϰী। āϤাāĻĻেāϰ āĻাঁāϧে āĻāϰ āĻĻিā§ে āϤিāύি āύিāϰাāĻĒāĻĻ āϏ্āĻĨাāύে āĻāϏেāύ।āĻāĻāϏāĻŽā§ āĻোāϰেāϰ āĻāϞো āĻĢুāĻে āĻāĻ ে। āĻাāϰāĻĻিāĻে āĻšāϤাāĻšāϤেāϰ āĻā§াāĻā§ি। āĻŽেāĻāϰ āĻিā§াāĻ āĻ āϏāĻŽā§ āĻāĻĻ্āϧাāϰāĻাāĻে āϝোāĻ āĻĻেāύ।
★★āĻোāϰ āϏাāϤāĻা āĻĒāϰ্āϝāύ্āϤ āĻāĻ্āϰāĻŽāĻŖ āĻāϞāϞ। ā§Šā§Ļ āĻāύ āĻŽুāĻ্āϤিāϝোāĻĻ্āϧা āĻļāĻšীāĻĻ āĻšāύ। āĻĒাāĻāĻŦাāĻšিāύীāϰ āĻšāϤাāĻšāϤ āĻāϰো āĻŦেāĻļি। āϤিāύ āĻ্āϰাāĻ āĻāϰে āĻĒাāĻāϏেāύাāϰা āϤাāĻĻেāϰ āϞাāĻļ āύিā§েāĻিāϞ।āĻ
āύ্āϝāĻĻিāĻে āĻĻুāĻি ⧧⧍ā§Ļ āĻŽিāϞিāĻŽিāĻাāϰ āĻŽāϰ্āĻাāϰ āĻāϰ āĻŦেāĻļ āĻিāĻু āϏেāύাāϏāĻš āĻŦāĻāĻļীāĻāĻ্āĻ āĻĨেāĻে āĻাāĻŽাāϞāĻĒুāϰেāϰ āĻĻিāĻে āĻāϏāϤে āĻĨাāĻা ā§ŠāĻি āĻ্āϰাāĻ āĻā§ে āϝাā§ āĻাāĻ āĻ
āĻŦ āĻĒাāϰ্āĻিāϰ āĻĒুঁāϤে āϰাāĻা āĻŽাāĻāύে। āϤাāĻĻেāϰ āĻ
্āϝাāĻŽāĻŦুāĻļে ā§§ā§Ļ āĻāύ āĻĒাāĻāϏেāύা āύিāĻšāϤ āĻāĻŦং ā§§ā§Ļ-ā§§ā§§ āĻāύ āĻāĻšāϤ āĻšā§। āĻāĻāĻāύ āĻŽুāĻ্āϤিāϝোāĻĻ্āϧা āĻļāĻšীāĻĻ āĻšāύ, ⧍-ā§Š āĻāύ āĻāĻšāϤ āĻšāύ।
āĻŽাāϤ্āϰ ā§Š-ā§Ē āϏāĻĒ্āϤাāĻš āĻĒ্āϰāĻļিāĻ্āώāĻŖ āĻĒাāĻā§া āϏেāύাāϰা āϏেāĻĻিāύ āĻĻুāϰ্āĻĻাāύ্āϤ āĻŦীāϰāϤ্āĻŦ āĻĻেāĻিā§েāĻিāϞ। āĻĒাāĻ āĻ
āĻĢিāϏাāϰāϰাāĻ āĻŦāϞāϤে āĻļুāϰু āĻāϰে, "Bengal regiment fight like real tiger!"
★★āĻুāϞাāĻ āĻĨেāĻে āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āϏাংāĻāĻ āύিāĻ āĻাāĻ াāĻŽোāϤে āĻĒāϰিāĻŦāϰ্āϤāύ āĻāϏে। āĻাāĻŽাāϞāĻĒুāϰ ā§§ā§§ āύং āϏেāĻ্āĻāϰে āĻ
āύ্āϤāϰ্āĻুāĻ্āϤ āĻšā§। āĻŽেāĻāϰ āĻāĻŦু āϤাāĻšেāϰ (āĻĒāϰে āĻāϰ্āύেāϞ āĻāĻŦং āĻŦীāϰ āĻāϤ্āϤāĻŽ) āϏেāĻ্āĻāϰ āĻāĻŽাāύ্āĻĄাāϰেāϰ āĻĻাā§িāϤ্āĻŦ āĻĒাāύ। āĻাāĻŽাāϞāĻĒুāϰ āĻাঁāĻিāϤে āύিā§āĻŽিāϤ āĻšাāĻŽāϞাāϰ āĻĒāϰিāĻāϞ্āĻĒāύা āĻšā§। āĻ āϏāĻŽā§ āĻোāĻ āĻোāĻ āĻšাāĻŽāϞা āĻāϰে āĻাāĻŽাāϞāĻĒুāϰেāϰ āĻĒাāĻ āĻাঁāĻিāĻে āĻাāĻŦু āĻāϰাāϰ āϏিāĻĻ্āϧাāύ্āϤ āĻšā§।āĻোāĻ āĻোāĻ āĻšাāĻŽāϞাā§ āĻĒাāĻāĻŦাāĻšিāύী āύাāĻাāϞ āĻšāϤে āĻļুāϰু āĻāϰে। āĻĒāϤāύেāϰ āĻĻিāĻে āĻāĻিā§ে āϝাā§ āĻাāĻŽাāϞāĻĒুāϰ!
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★★★āĻুāϞাāĻ āĻŽাāϏ āĻĨেāĻে āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āϏাংāĻāĻ āύিāĻ āĻাāĻ াāĻŽোāϤে āĻĒāϰিāĻŦāϰ্āϤāύ āĻāϏে। āĻাāĻŽাāϞāĻĒুāϰ ā§§ā§§ āύং āϏেāĻ্āĻāϰেāϰ āĻ
āύ্āϤāϰ্āĻুāĻ্āϤ āĻšā§। āĻŽেāĻāϰ āĻāĻŦু āϤাāĻšেāϰ (āĻĒāϰে āĻāϰ্āύেāϞ āĻāĻŦং āĻŦীāϰ āĻāϤ্āϤāĻŽ) āϏেāĻ্āĻāϰ āĻāĻŽাāύ্āĻĄাāϰেāϰ āĻĻাā§িāϤ্āĻŦ āĻĒাāύ। āĻাāĻŽাāϞāĻĒুāϰ āĻাঁāĻিāϤে āύিā§āĻŽিāϤ āĻšাāĻŽāϞাāϰ āĻĒāϰিāĻāϞ্āĻĒāύা āĻšā§। āĻ āϏāĻŽā§ āĻোāĻ āĻোāĻ āĻšাāĻŽāϞা āĻāϰে āĻাāĻŽাāϞāĻĒুāϰেāϰ āĻĒাāĻ āĻাঁāĻিāĻে āĻাāĻŦু āĻāϰাāϰ āϏিāĻĻ্āϧাāύ্āϤ āĻšā§।
★⧝ āĻāĻāϏ্āĻ āĻাāĻŽাāϞāĻĒুāϰেāϰ āĻেāϞিāĻĢোāύ āϞাāĻāύ āĻেāĻে āĻĻেā§ āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻāĻŽাāύ্āĻĄোāϰা। āĻ
āĻĒাāϰেāĻļāύ āĻļেāώ āĻāϰে āĻāϏাāϰ āĻĒāĻĨে āϤাāϰা āĻĻুāĻ āϰাāĻাāĻাāϰāĻে āϧāϰে āύিā§ে āĻāϏে।
★ā§§ā§Ģ āĻāĻāϏ্āĻ ā§§ā§Ģā§Ļ āĻāύ āĻŽুāĻ্āϤিāϝোāĻĻ্āϧা āĻšাāϞāĻা āĻ
āϏ্āϤ্āϰ āύিā§ে āĻāĻ্āϰāĻŽāĻŖ āĻāϰে āĻাāĻŽাāϞāĻĒুāϰ। āĻĒāϰেāϰ āĻĻিāύ āϏুāĻŦেāĻĻাāϰ āĻŽāύāϏুāϰেāϰ āύেāϤৃāϤ্āĻŦে āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻāϰেāĻāĻি āĻĻāϞ āĻāĻাāϤ āĻšাāύে āĻāĻ āĻাঁāĻিāϤে।
★ā§§ā§ āĻāĻāϏ্āĻ āĻŽেāĻāϰ āϤাāĻšেāϰ āύিāĻে āĻাāĻŽাāϞāĻĒুāϰ āĻāĻ্āϰāĻŽāĻŖ āĻāϰেāύ। ā§§ā§Ģ-⧍ā§Ļ āĻāύ āĻĒাāĻāϏেāύা āĻāϤāĻŽ āĻšā§ āĻāĻĻিāύ।
★⧍ā§Ļ āĻāĻāϏ্āĻ āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻ
্āϝাāĻŽāĻŦুāĻļে āĻĒā§ে āĻĒাāĻ āĻĒেāĻ্āϰোāϞ āĻĒাāϰ্āĻি। āύিāĻšāϤ āĻšā§ ā§¨ āĻāύ।
★ā§Ŧ āϏেāĻĒ্āĻেāĻŽ্āĻŦāϰ āĻাāĻŽাāϞāĻĒুāϰ āĻŦিāĻāĻĒিāĻে āĻŦāύāĻāĻ্āĻāϞāĻĒূāϰ্āĻŖ āĻĒāĻĨ āĻĻিā§ে āĻāĻিā§ে āĻāϤ্āϤāϰ-āĻĒূāϰ্āĻŦ āĻĻিāĻ āĻĨেāĻে āĻāĻ্āϰāĻŽāĻŖ āĻāϰা āĻšā§। āĻĒিāĻু āĻšāĻে āĻĒাāĻāĻŦাāĻšিāύী।
āĻŦāĻāĻļীāĻāĻ্āĻ āĻĨেāĻে āϤাāĻĻেāϰ āϏাāĻšাāϝ্āϝ āĻāϰāϤে āĻāϏা āĻĻāϞāĻিāĻ āĻ
্āϝাāĻŽāĻŦুāĻļে āĻĒā§ে। āϤāĻŦে āϤীāĻŦ্āϰ āĻŽেāĻļিāύāĻাāύেāϰ āĻুāϞিāϤে āĻŽুāĻ্āϤিāĻŦাāĻšিāύী āĻāĻŦাāϰ āĻĒিāĻু āĻšāĻে।āϏāĻাāϞ āϏাāϤāĻাā§ āĻ
্āϝাāĻŽāĻŦুāĻļ āĻĒā§েāύ্āĻ āĻĒাāĻিāϏ্āϤাāύি āϰিāĻāύāĻĢোāϰ্āϏāĻŽেāύ্āĻ āĻāϏāϤে āĻিā§ে āĻāĻāĻি āĻ্āϰাāĻ āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻĒাāϤা āϞ্āϝাāύ্āĻĄāĻŽাāĻāύে āϧ্āĻŦংāϏ āĻšā§। āĻāϰো āĻĻুāĻি āĻĨেāĻে āĻļāĻ্āϰāϏেāύাāϰা āύেāĻŽে āϰাāϏ্āϤাāϰ āĻĒাāĻļে āĻ
āĻŦāϏ্āĻĨাāύ āύেāĻā§াāϰ āĻেāώ্āĻা āĻāϰে, āĻāϤে āĻāϰāĻ āĻĒাāĻিāϏ্āϤাāύি āϏেāύা āύিāĻšāϤ āĻšā§। ā§Šā§Š āĻāύ āĻĒাāĻāϏেāύা āύিāĻšāϤ āĻšā§।āĻĒাāĻ āĻŦাāĻšিāύীāĻে āĻāĻāĻা āĻĻিāύāĻ āĻļাāύ্āϤিāϤে āĻুāĻŽাāϤে āύা āĻĻেā§াāϰ āĻৌāĻļāϞে āϝাā§ āĻŽুāĻ্āϤিāĻŦাāĻšিāύী।
★ā§ āϏেāĻĒ্āĻেāĻŽ্āĻŦāϰ āĻĨেāĻে āĻā§েāĻāĻĻিāύ āĻŽেāĻāϰ āϤাāĻšেāϰ āϏāĻŦ āĻšাāĻŽāϞা āĻŦāύ্āϧ āϰাāĻেāύ। āĻাāĻŽাāϞāĻĒুāϰ-āĻŦāĻāĻļীāĻāĻ্āĻ āϏā§āĻāĻি āĻŦ্āϝāĻŦāĻšাāϰেāϰ āĻ
āĻŦাāϧ āϏুāϝোāĻ āĻĻেāύ। āĻĒāϰāĻĻিāύ ā§§ āĻāϏ্āĻ āĻŦেāĻ্āĻāϞ āϰেāĻিāĻŽেāύ্āĻেāϰ āĻāĻāĻি āĻোāĻŽ্āĻĒাāύি āĻ্āϝাāĻĒ্āĻেāύ āĻŦāĻāϞুāϞ āĻāĻŖি āĻĒাāĻোā§াāϰীāϰ āύেāϤৃāϤ্āĻŦে āĻŽāĻšেāύ্āĻĻ্āϰāĻāĻ্āĻে āĻāϏে। ā§§ āĻāϏ্āĻ āĻŦেāĻ্āĻāϞেāϰ āĻāĻŽাāύ্āĻĄাāϰ āĻিāϞেāύ āĻŽেāĻāϰ āĻŽোāĻšাāĻŽ্āĻŽāĻĻ āĻিā§াāĻāĻĻ্āĻĻিāύ āĻāĻšāĻŽেāĻĻ।
āĻŽেāĻāϰ āϤাāĻšেāϰ āĻাāĻŽাāϞāĻĒুāϰāĻে āĻিāϰে āϧāϰাāϰ āϏিāĻĻ্āϧাāύ্āϤ āύেāύ। āϏাāĻŽāϰিāĻ āĻĒāϰিāĻাāώাā§ āϝাāĻে āĻŦāϞে Encirclement। āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāϰা āĻাāĻŽাāϞāĻĒুāϰ-āĻŦāĻāĻļীāĻāĻ্āĻ āϏā§āĻে āĻŦ্āϝাāĻĒāĻāĻাāĻŦে āĻ
্āϝাāύ্āĻি-āĻ্āϝাংāĻ āĻ āĻ
্āϝাāύ্āĻি-āĻĒাāϰāϏোāύাāϞ āĻŽাāĻāύ āϏ্āĻĨাāĻĒāύ āĻāϰেāύ।āĻŽেāĻāϰ āĻিā§াāĻāĻĻ্āĻĻিāύেāϰ āϏেāύাāĻĻেāϰ āϧাāύুā§া, āĻাāĻŽাāϞāĻĒুāϰ āĻ āĻাāϏেāϰ āĻ্āϰাāĻŽেāϰ āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāĻĻেāϰ āϏাāĻĨে āϝোāĻ āĻĻিāϤে āĻŦāϞা āĻšā§। āĻĒূāϰ্āĻŦ āĻĒাāĻļেāĻ āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻāĻāĻি āĻĻāϞ āĻ
āĻŦāϏ্āĻĨাāύ āύেā§।
★★ā§§ā§Ļ āϤাāϰিāĻ āϏূāϰ্āϝোāĻĻā§েāϰ āĻāĻেāĻ āĻŽুāĻ্āϤিāĻŦাāĻšিāύী āĻাāĻŽাāϞāĻĒুāϰ āĻŦিāĻāĻĒি āĻাāϰāĻĻিāĻ āĻĨেāĻে āĻ
āĻŦāϰুāĻĻ্āϧ āĻāϰে āĻĢেāϞে। āĻাāĻŽাāϞāĻĒুāϰ āĻŦিāĻāĻĒিāϤে āĻ
āĻŦāϏ্āĻĨাāύāϰāϤ āĻļāϤ্āϰুāϰ āĻāύ্āϝ āĻেāĻŦāϞ āĻĻুāĻি āĻĒāĻĨāĻ āĻোāϞা āĻĨাāĻে; āĻšā§ āϰাāϤেāϰ āĻ
āύ্āϧāĻাāϰে āĻোāĻ āĻোāĻ āĻĻāϞে āĻĒāϞাā§āύ āĻāϰা āĻ
āĻĨāĻŦা āĻāĻāϤ্āϰে āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāĻĻেāϰ āĻ
āĻŦāϏ্āĻĨাāύে āĻāĻ্āϰāĻŽāĻŖ āĻāϰা।
āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāϰা āϰাāϤাāϰাāϤি āĻŦেāĻļ āĻিāĻু āĻŦাংāĻাāϰ āϤৈāϰি āĻāϰে āϤাāĻĻেāϰ āĻ
āĻŦāϏ্āĻĨাāύ āĻāϰāĻ āĻŽāĻāĻŦুāϤ āĻāϰেāύ। āϤাāĻĻেāϰ āĻ
āĻŦāϏ্āĻĨাāύেāϰ āϏাāĻŽāύে āĻĨেāĻেāĻ ā§§-ā§Š āĻĢুāĻেāϰ āĻāĻিāϰāϤাāϰ āĻāϞো āĻŽাāĻ েāϰ āĻļুāϰু। āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻĒ্āϰāϤিāϰāĻ্āώা āĻŦ্āϝāĻŦāϏ্āĻĨাāϰ ā§§ā§Ļā§Ļ āĻāĻেāϰ āĻŽāϧ্āϝে āĻāϞে āĻুāϞিāĻŦāϰ্āώāĻŖ āĻāϰাāϰ āύিāϰ্āĻĻেāĻļ āĻĻেāĻā§া āĻšā§। āĻĒāϰিāĻāϞ্āĻĒāύা āĻিāϞ āĻļāϤ্āϰুāϏেāύাāϰা āĻাāĻŽাāϞāĻĒুāϰ āĻাঁāĻি āĻĨেāĻে āĻŦেāϰ āĻšā§ে āĻāϏে āϝāĻāύ āĻāĻ্āϰāĻŽāĻŖ āĻাāϞাāĻŦে, āϤāĻāύ āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻিংāĻŦা āĻংāĻļিāĻ āĻĒāϰিāϤ্āϝāĻ্āϤ āĻাāĻŽাāϞāĻĒুāϰ āĻাঁāĻিāĻি āĻĻāĻāϞে āύেāĻŦে āĻāϰেāĻ āĻোāĻŽ্āĻĒাāύি āϏেāύা। āĻ āĻāύ্āϝ āĻāĻ āĻোāĻŽ্āĻĒাāύি āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻ্āϝাāĻŽ্āĻĒে āϤৈāϰি āĻĨাāĻাāϰ āύিāϰ্āĻĻেāĻļ āĻĻেāĻā§া āĻšā§।
★★ā§§ā§§ āϤাāϰিāĻ āĻĻুāĻĒুāϰ āĻĨেāĻে āĻĒাāĻ āĻŦাāĻšিāύী āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻ
āĻŦāϏ্āĻĨাāύে āĻšাāĻŽāϞা āĻļুāϰু āĻāϰে। āĻĻুāĻĒুāϰāĻŦেāϞা āĻŽেāĻāϰ āϤাāĻšেāϰেāϰ āύেāϤৃāϤ্āĻŦে āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāĻĻেāϰ āĻāĻāĻি āĻĻāϞ āĻŽāĻšেāύ্āĻĻ্āϰāĻāĻ্āĻ āĻĨেāĻে ā§§ā§Ž āĻŽাāĻāϞ āĻĻূāϰে āĻŽাāĻāύāĻাāϰ āĻāϰ āϏাāĻŦ-āϏেāĻ্āĻāϰেāϰ āĻĻিāĻে āϰāĻāύা āĻšā§। āĻŽাāĻāύāĻাāϰ āĻāϰে āĻĒৌঁāĻাāϰ āϏāĻ্āĻে āϏāĻ্āĻে āĻŽেāĻāϰ āϤাāĻšেāϰ āĻāĻŦāϰ āĻĒাāύ āϝে āϧাāύুā§া āĻ āĻাāϏেāϰ āĻ্āϰাāĻŽে āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāĻĻেāϰ āĻ
āĻŦāϏ্āĻĨাāύে āĻĒাāĻিāϏ্āϤাāύি āϏেāύাāϰা āĻāĻ্āϰāĻŽāĻŖ āĻāϰেāĻে। āĻāĻŦāϰ āĻĒেā§েāĻ āϤিāύি āĻŽāĻšেāύ্āĻĻ্āϰāĻāĻ্āĻে āϰāĻāύা āĻĻেāύ।
āĻŦেāϞা āĻā§াāĻāĻাāϰ āϏāĻŽā§ āĻŽেāĻāϰ āϤাāĻšেāϰ āĻŽāĻšেāύ্āĻĻ্āϰāĻāĻ্āĻ āĻ্āϝাāĻŽ্āĻĒ āĻেā§ে āϝাāĻā§াāϰ āĻĒāϰāĻĒāϰāĻ āĻাāĻŽাāϞāĻĒুāϰ āĻĨেāĻে āĻĒাāĻিāϏ্āϤাāύ āϏেāύাāĻŦাāĻšিāύীāϰ āĻāĻāĻĻāϞ āϏেāύা āĻāĻ্āϰāĻŽāĻŖেāϰ āĻāĻĻ্āĻĻেāĻļ্āϝে āĻাāϏেāϰ āĻ্āϰাāĻŽেāϰ āĻĻিāĻে āĻāĻোāϤে āĻĨাāĻে। āĻাāϏেāϰ āĻ্āϰাāĻŽে āĻ
āĻŦāϏ্āĻĨিāϤ āĻĒ্āϰāĻĨāĻŽ āĻāϏ্āĻ āĻŦেāĻ্āĻāϞ āϰেāĻিāĻŽেāύ্āĻেāϰ āĻোāĻŽ্āĻĒাāύিāĻি āĻāϤ্āϤেāĻāύাāϰ āĻŦāĻļāĻŦāϰ্āϤী āĻšā§ে āĻļāϤ্āϰু āύিāϰ্āĻĻিāώ্āĻ āϏ্āĻĨাāύে āĻāϏাāϰ āĻāĻেāĻ āĻুāϞিāĻŦāϰ্āώāĻŖ āĻļুāϰু āĻāϰে। āĻĒাāĻিāϏ্āϤাāύি āϏেāύাāϰা āĻāĻ āĻুāϞিāĻŦāϰ্āώāĻŖ āĻāĻĒেāĻ্āώা āĻāϰে āĻাāϰী āĻ
āϏ্āϤ্āϰāϏāĻš āĻŦেāĻĒāϰোā§াāĻাāĻŦে āĻāĻোāϤে āĻĨাāĻে। āϤাāĻĻেāϰ āĻĒাāϞ্āĻা āĻুāϞিāϤে āĻĒ্āϰāĻĨāĻŽ āĻāϏ্āĻ āĻŦেāĻ্āĻāϞ āϰেāĻিāĻŽেāύ্āĻেāϰ āĻāĻāĻāύ āύাā§েāĻŦ āϏুāĻŦেāĻĻাāϰ āĻ āĻ
āĻĒāϰ āĻāĻāĻāύ āĻোā§াāύ āύিāĻšāϤ āĻšāύ। āϏে āϏāĻŽā§ āĻĒেāĻāύ āĻĻিāĻ āĻĨেāĻে āĻেāĻ āĻāĻāĻāύ āĻিā§āĻাāϰ āĻāϰে āĻŦāϞে āϝে āĻŦāĻāĻļীāĻāĻ্āĻ āĻĨেāĻেāĻ āĻāϰেāĻ āĻĻāϞ āϏেāύা āĻāĻ্āϰāĻŽāĻŖ āĻāϰāϤে āĻāϏāĻে। āĻāϤে āĻোāĻŽ্āĻĒাāύিāϤে āĻŦিāĻļৃāĻ্āĻāϞা āĻĻেāĻা āĻĻেā§ āĻāĻŦং āύিāĻ āϏ্āĻĨাāύ āĻেā§ে āϤাāϰা āĻĒিāĻিā§ে āϝেāϤে āĻĨাāĻে।
āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāĻĻেāϰ āϧাāύুā§া-āĻাāĻŽাāϞāĻĒুāϰ āĻ
āĻŦāϏ্āĻĨাāύেāϰ āĻĻāĻ্āώিāĻŖ āĻĻিāĻ āĻĨেāĻে āĻāĻāĻি āĻŽেāĻļিāύāĻাāύ āĻুāϞি āĻļুāϰু āĻāϰāϤে āĻĨাāĻāϞে āĻাāϏেāϰ āĻ্āϰাāĻŽেāϰ āĻāĻĒāϰ āĻāĻ্āϰāĻŽāĻŖāϰāϤ āĻĒাāĻিāϏ্āϤাāύি āϏেāύাāϰা āĻšāϤাāĻšāϤ āĻšāϤে āĻĨাāĻে āĻāĻŦং āĻļেāώāĻĒāϰ্āϝাā§ে āϤাāϰা āĻĒিāĻু āĻšāĻāϤে āĻŦাāϧ্āϝ āĻšā§। āĻŽেāĻļিāύāĻাāύাāϰ āĻŦ্āϝাāϰেāϞ āϧāϰে āĻšাāϤ āĻĒুā§িā§ে āĻĢেāϞেāĻিāϞেāύ। āĻŽেāĻāϰ āϤাāĻšেāϰ āĻŦেāϞা āϏাā§ে āĻাāϰāĻাāϰ āĻŽāϧ্āϝে āĻŽāĻšেāύ্āĻĻ্āϰāĻāĻ্āĻে āĻĢিāϰে āĻāϏেāύ। āĻ্āϝাāĻŽ্āĻĒে āĻĒৌঁāĻে āϝে āĻোāĻŽ্āĻĒাāύিāĻে āϤিāύি āĻাāĻŽাāϞāĻĒুāϰ āĻŦিāĻāĻĒি āĻāĻ্āϰāĻŽāĻŖেāϰ āĻāύ্āϝ āϤৈāϰি āĻĨাāĻাāϰ āύিāϰ্āĻĻেāĻļ āĻĻিā§েāĻিāϞেāύ āϤাāĻĻেāϰ āĻোঁāĻ āĻāϰেāύ।
āĻāĻ āĻোāĻŽ্āĻĒাāύিāĻে āĻাāĻŽাāϞāĻĒুāϰ āĻŦিāĻāĻĒিāϰ āĻাāϰāĻĻিāĻে āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāĻĻেāϰ āĻĄিāĻĢেāύ্āϏ āϏুāĻĻৃā§ āĻāϰাāϰ āĻāύ্āϝ āĻĒ্āϰেāϰāĻŖ āĻāϰা āĻšā§। āĻāĻĻেāϰ āĻĄিāĻĢেāύ্āϏ āϞাāĻāύে āĻĒাāĻ াāύোāϰ āĻĢāϞে āĻāĻ্āϰāĻŽāĻŖেāϰ āĻāύ্āϝ āĻāϰ āĻŦাā§āϤি āĻোāύো āϏেāύা āĻĨাāĻে āύা। āĻĢāϞে āĻাঁāĻি āĻĒুāϰোāĻĒুāϰি āĻĻāĻāϞ āĻāϰāϤে āĻāϰ āĻšাāĻŽāϞা āĻাāϞাāύো āϝাā§āύি āϏেāĻĻিāύ। āĻāĻĻিāύেāϰ āϝুāĻĻ্āϧে āĻাāĻŽাāϞāĻĒুāϰেāϰ āĻĒāϤāύ āύা āĻšāϞেāĻ āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻŽāύোāĻŦāϞ āĻাāĻ্āĻা āĻšā§।
★★★āĻূā§াāύ্āϤ āϞā§াāĻ: āϰোāĻĄ āĻু āĻĸাāĻা
āύāĻেāĻŽ্āĻŦāϰ āĻŽাāϏ āĻĨেāĻে āĻļāĻ্āϰāĻĻেāϰ āĻāĻĒāϰ āĻāĻাāϤেāϰ āϤীāĻŦ্āϰāϤা āĻŦাā§িā§ে āĻĻেā§া āĻšā§।
ā§§ā§Ē āύāĻেāĻŽ্āĻŦāϰ āϰাāϤ ⧧⧍āĻা āĻĨেāĻে āĻাāĻŽাāϞāĻĒুāϰেāϰ āĻāĻĒāϰ āϏāϰ্āĻŦাāϤ্āĻŽāĻ āĻāĻ্āϰāĻŽāĻŖ āĻļুāϰু āĻāϰে āĻŽুāĻ্āϤিāĻŦাāĻšিāύী। āĻĒāϰিāĻāϞ্āĻĒāύা āĻāĻেāϰ āĻŽāϤোāĻ। āĻāĻĻিāύ āϰিāĻাāϰ্āĻ āĻšিāϏেāĻŦে āĻাāϰāϤীā§ āĻŦাāĻšিāύীāϰ ā§§ā§Š āĻাāϰ্āĻĄ āϰেāĻিāĻŽেāύ্āĻ āĻāĻŦং ā§§ āĻŽাāϰাāĻ া āϰেāĻিāĻŽেāύ্āĻেāϰ āĻĻুāĻি āĻোāĻŽ্āĻĒাāύি āĻŽোāϤাā§েāύ āĻিāϞ। āĻাāĻŽাāϞāĻĒুāϰāĻে āĻাāϰāĻĻিāĻ āĻĨেāĻে āĻিāϰে āϧāϰāϤে āĻļুāϰু āĻāϰে āĻŽুāĻ্āϤিāĻŦাāĻšিāύী। āĻাāϰāϤীā§ āĻŦাāĻšিāύী āϤাāĻĻেāϰ āϏীāĻŽাāύা āĻĨেāĻে āĻāϰ্āĻিāϞাāϰি āϏাāĻĒোāϰ্āĻ āĻĻেā§। āϝুāĻĻ্āϧেāϰ āύেāϤৃāϤ্āĻŦ āĻĻিāĻ্āĻিāϞেāύ āĻŽেāĻāϰ āϤাāĻšেāϰ। āϏেāĻĻিāύ āϤাāϰ āĻāύ্āĻŽāĻĻিāύāĻ āĻিāϞ। āĻ
āĻ্āϰāĻŦāϰ্āϤী āĻĻāϞেāϰ āĻāĻŽাāύ্āĻĄাāϰ āĻিāϞেāύ āϞে. āĻŽিāĻাāύ।
āύিāĻেāϰ āĻāύ্āĻŽāĻĻিāύে āĻেāĻ āĻাāĻাāϰ āĻŦāĻĻāϞে āĻĒাāĻ āĻাঁāĻিāϤে āĻোāϞা āύিāĻ্āώেāĻĒেāϰ āĻŽāϧ্āϝ āĻĻিā§ে āĻŽেāĻāϰ āϤাāĻšেāϰ āĻāύ্āĻŽāĻĻিāύ āĻĒাāϞāύ āϏূāĻāύা āĻāϰāϞেāύ। āĻĒাāĻিāϏ্āϤাāύিāĻĻেāϰ āĻĒāϤāύāĻ āĻšāĻŦে āϤাāϰ āĻāĻĒāĻšাāϰ।
āϰাāϤ ā§ŠāĻাāϰ āĻĻিāĻে āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāϰা āĻাঁāĻি āĻŽাāϤ্āϰ ā§Šā§Ļā§Ļ āĻŽিāĻাāϰ āĻĻূāϰে। āϤীāĻŦ্āϰ āĻšাāĻŽāϞাā§ āĻĒাāĻিāϏ্āϤাāύি āϏৈāύ্āϝāϰা āĻŦাংāĻাāϰ āĻেā§ে āĻāĻ āĻ্āώেāϤে āĻĒাāϞিā§ে āϝাāĻ্āĻিāϞ। āϤাāĻĻেāϰ āĻাāϰ্āĻেāĻে āĻāύাāϰ āĻāύ্āϝ āϤāĻāύ āϰাāϤেāϰ āĻāĻাāĻļে āĻĢ্āϞেā§াāϰ āĻোā§া āĻšāĻ্āĻিāϞ। "āĻā§ āĻŦাংāϞা, āĻā§ āĻŦাংāϞা" āϧ্āĻŦāύি āĻĻিā§ে āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāϰা āĻāĻ্āϰāĻŽāĻŖ āĻāϰāĻ āĻļāĻ্āϤিāĻļাāϞী āĻāϰে āϤুāϞāĻিāϞেāύ।
āĻ āϏāĻŽā§ āĻোāĻŽ্āĻĒাāύি āĻāĻŽাāύ্āĻĄাāϰ āϞেāĻĢāĻেāύ্āϝাāύ্āĻ āĻŽিāĻাāύ āĻā§াāĻিāĻāĻিāϤে āĻŽেāĻāϰ āϤাāĻšেāϰāĻে āĻাāύাāύ, āϤিāύি āĻĒাāĻিāϏ্āϤাāύিāĻĻেāϰ āĻŦাংāĻাāϰেāϰ āĻাāĻাāĻাāĻি āĻĒৌঁāĻে āĻেāĻেāύ। āĻিāύ্āϤু āĻিāĻুāĻ্āώāĻŖ āĻĒāϰāĻ āĻŽেāĻāϰ āϤাāĻšেāϰেāϰ āϏāĻ্āĻে āϞেāĻĢāĻেāύ্āϝাāύ্āĻ āĻŽিāĻাāύেāϰ āϝোāĻাāϝোāĻ āĻŦিāĻ্āĻিāύ্āύ āĻšā§ে āϝাā§।
āϏāĻাāϞ āĻĒ্āϰাā§ āϏাā§ে ā§ŽāĻাāϰ āĻĻিāĻে āĻŽেāĻāϰ āϤাāĻšেāϰ āϤাāϰ āĻ
āĻŦāϏ্āĻĨাāύ āĻĨেāĻে āĻŽূāϞ āϝুāĻĻ্āϧāĻ্āώেāϤ্āϰেāϰ āĻĻিāĻে āĻ
āĻ্āϰāϏāϰ āĻšāϞেāύ। āϤাāϰ āĻিāĻĒ āĻাā§িāϤে āĻāϰে āϏাāĻŽāύে āĻĢাā§াāϰ āĻāϰāϤে āĻāϰāϤে āϏাāĻŽāύে āĻāĻিā§ে āϝেāϤে āĻļুāϰু āĻāϰেāύ āϤিāύি। āĻŽিāĻাāύāĻে āĻĒাāĻā§া āύা āϝাāĻā§াāϤে āϤিāύি āĻāĻĻ্āĻŦিāĻ্āύ āĻিāϞেāύ। āĻŽূāϞ āϝুāĻĻ্āϧāĻ্āώেāϤ্āϰে āĻĒাāĻā§া āϝাā§ āϤাāĻে। āĻŽেāĻāϰ āϤাāĻšেāϰ āĻāĻāĻা āĻাāĻেāϰ āύিāĻে āĻĻাঁā§িā§ে āϏৈāύ্āϝāĻĻেāϰ āύিāϰ্āĻĻেāĻļ āĻĻিāĻ্āĻিāϞেāύ। āĻĒাāĻāĻাঁāĻি āĻĒāϤāύ āϤāĻāύ āϏāĻŽā§েāϰ āĻŦ্āϝাāĻĒাāϰ।
★★āύ'āĻাāϰ āĻĻিāĻে āĻāĻāĻি āϞ্āϝাāύ্āĻĄāĻŽাāĻāύে āĻŦা āĻাāĻŽাāύেāϰ āĻļেāϞে āĻāĻŦু āϤাāĻšেāϰ āĻāĻšāϤ āĻšāύ। āϤিāύি āĻŽাāĻিāϤে āĻĒā§ে āĻেāϞেāύ, āĻিāύ্āϤু āĻ্āĻাāύ āĻšাāϰাāϞেāύ āύা। āϤাāϰ āĻĻিāĻে āϏāĻŦাāĻ āĻāĻিā§ে āĻāϏāϤে āĻļুāϰু āĻāϰāϞে āϤিāύি āϏāĻŦাāĻāĻে āĻļুā§ে āĻĒā§াāϰ āύিāϰ্āĻĻেāĻļ āĻĻেāύ। āĻāϤ āϞোāĻ āĻāĻ āĻাā§āĻাā§ āĻিā§ āĻāϰāϞে āĻļāϤ্āϰুāϰা āĻāĻŦাāϰ āϏেāĻাāύে āĻোāϞা āĻĢেāϞāĻŦে, āĻāϤে āĻšāϤাāĻšāϤ āĻāϰো āĻŦাā§āĻŦে। āĻĒāϰে āϤাāĻে āĻাāϰāϤেāϰ āĻৌāĻšাāĻিāϰ āĻāĻ āĻšাāϏāĻĒাāϤাāϞে āύিā§ে āϝাāĻā§া āĻšā§। āĻāĻāĻি āĻĒা āĻেāĻে āĻĢেāϞāϤে āĻšā§ āϤাāϰ। āϏেāĻĻিāύ āĻাঁāĻি āύা āĻĻāĻāϞ āĻāϰেāĻ āĻĢেāϰāϤ āĻāϏেāύ āĻŽুāĻ্āϤিāϝোāĻĻ্āϧাāϰা। āĻāĻĻিāĻে āĻšাāϏāĻĒাāϤাāϞ āĻĨেāĻে āĻŽেāĻāϰ āϤাāĻšেāϰ āϞেāĻĢāĻেāύ্āϝাāύ্āĻ āĻŽাāύ্āύাāύāĻে āĻিāĻ ি āϞেāĻেāύ। āϤাāϤে āĻŦāϞা āĻিāϞ,
“CLEAR THE ROAD FROM HERE TO DACCA. LOOK AFTER MY BOYS. I LEAVE EVERYTHING TO YOU. GOD BLESS YOU”
★★⧍ā§Ē āύāĻেāĻŽ্āĻŦāϰ āĻĨেāĻে ā§Ē āĻĄিāϏেāĻŽ্āĻŦāϰ āĻĒāϰ্āϝāύ্āϤ āĻāĻāĻাāύা ā§§ā§§ āĻĻিāύ āĻ āĻĒাāĻ āĻাāĻāύি āĻ
āĻŦāϰুāĻĻ্āϧ āϰাāĻা āĻšā§। āĻ āϏāĻŽā§ āĻŦ্āϰিāĻেāĻĄিā§াāϰ āĻ্āϞেāϰ āύেāϤৃāϤ্āĻŦে āĻŽিāϤ্āϰ āĻŦাāĻšিāύীāĻ āϝোāĻ āĻĻেā§। āĻāϞ্āϞেāĻ্āϝ, āĻাāϰāϤ āϏāϰাāϏāϰি āĻĒাāĻিāϏ্āϤাāύেāϰ āϏাāĻĨে āĻĄিāϏেāĻŽ্āĻŦāϰে āϝুāĻĻ্āϧে āĻā§াāϞেāĻ āĻŽাāϰ্āĻ-āĻāĻĒ্āϰিāϞ āĻĨেāĻেāĻ āϏীāĻŽাāύ্āϤে āĻোāĻ āĻোāĻ āϏংāĻāϰ্āώ āĻŦা Border Skirmish-āĻ āĻā§িā§েāĻিāϞ।
ā§¨ā§Ž āύāĻেāĻŽ্āĻŦāϰ āĻাāϰāϤীā§ āϏেāύাāϰা āύিঃāĻļāĻŦ্āĻĻে āĻĒাāĻ āĻাঁāĻিāϰ āĻুāĻŦ āĻাāĻে āĻāϞে āϝাā§। āĻিāύ্āϤু āĻāĻāĻāύেāϰ āĻাāĻļিāϰ āĻļāĻŦ্āĻĻ āĻĒেā§ে āĻĒাāĻāĻŦাāĻšিāύী āĻĢাā§াāϰ āĻāϰে। ⧍ā§Ļ āĻāύ āύিāĻšāϤ āĻšā§। āĻĻেāĻা āϝাāĻ্āĻিāϞ ā§§ā§Ļā§Ļ āĻāύ āĻাāϰāϤীā§ āϏেāύা āĻāĻ্āϰāĻŽāĻŖ āĻāϰāϤে āĻেāϞে ā§Šā§Š āĻāύ āĻšāϤাāĻšāϤ āĻšāĻ্āĻে। āĻŦ্āϰিāĻেāĻĄিā§াāϰ āĻ্āϞে āĻāϤ āĻ্āώā§āĻ্āώāϤি āĻাāĻāĻিāϞেāύ āύা।
★āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āϏাāĻĨে āĻĒāϰাāĻŽāϰ্āĻļ āĻāϰে āĻŦ্āϰিāĻেāĻĄিā§াāϰ āĻ্āϞে āĻāĻ্āϰāĻŽāĻŖ āύা āĻāϰে āĻŽেāĻāϰ āϤাāĻšেāϰেāϰ āĻৌāĻļāϞ Encirclement āĻĒ্āϰā§োāĻ āĻāϰাāϰ āϏিāĻĻ্āϧাāύ্āϤ āύেāύ। āĻŽুāĻ্āϤিāĻŦাāĻšিāύী āĻাāĻŽাāϞāĻĒুāϰāĻে āĻাāϰāĻĻিāĻ āĻĨেāĻে āĻļāĻ্āϤāĻাāĻŦে āĻিāϰে āϧāϰে। āĻŦাāĻāϰে āĻĨেāĻে āϏাāĻšাāϝ্āϝ āĻāϏাāϰ āĻেāώ্āĻা āĻāϰāϞেāĻ āϏেāĻুāϞোāĻে āĻĒ্āϰāϤিāĻšāϤ āĻāϰে āϤাāϰা। āĻāϰāĻ āĻŽāϧ্āϝে āĻā§েāĻ āĻĻāĻĢা āĻŦিāĻŽাāύ āĻšাāĻŽāϞাāĻ āĻাāϞাāύো āĻšā§। ⧍⧝ āύāĻেāĻŽ্āĻŦāϰেāϰ āĻĻিāĻে ā§Šā§§ āĻŦেāϞুāĻ āϰেāĻিāĻŽেāύ্āĻেāϰ āĻāĻŽাāύ্āĻĄাāϰ āϞেāĻĢāĻেāύ্āϝাāύ্āĻ āĻāϰ্āύেāϞ āϏুāϞāϤাāύ āĻŽাāĻšāĻŽুāĻĻ āĻাāĻŽাāϞāĻĒুāϰে āϰিāĻāύāĻĢোāϰ্āϏāĻŽেāύ্āĻ āĻĒাāĻ াāύোāϰ āĻেāώ্āĻা āĻāϰে āĻŦ্āϝāϰ্āĻĨ āĻšā§।
★ā§Ē āĻĄিāϏেāĻŽ্āĻŦāϰ ⧧⧝ā§ā§§ āϏাāϞে āĻŽুāĻ্āϤিāϝোāĻĻ্āϧা āĻŦāĻļীāϰ āĻāĻšāĻŽāĻĻ āĻ āĻāύিāϏুāϰ āϰāĻšāĻŽাāύ āϏāĻ্āĻু āĻĒাāĻāĻŦাāĻšিāύীāϰ āĻাāĻে āĻāϤ্āĻŽāϏāĻŽāϰ্āĻĒāĻŖেāϰ āĻŦাāϰ্āϤা āύিā§ে āϝাā§। āĻŽুāĻ্āϤিāĻŦাāĻšিāύী āĻাঁāĻিāϤে āĻĸুāĻে āĻĒā§āϞে āϤাāĻĻেāϰ āĻāĻĒাāϞে āĻŦā§ āĻĻুঃāĻ āĻāĻে āĻāĻা āĻŦুāĻāϤে āĻĒাāϰে āϤাāϰা।
āĻĒাāĻāϏেāύাāϰা āĻāϤ্āĻŽāϏāĻŽāϰ্āĻĒāĻŖ āĻāϰāϤে āĻŦাāϧ্āϝ āĻšā§। āĻ্āϝাāĻĒ্āĻেāύ āĻāĻšāϏাāύ āĻŽাāϞিāĻ āϏাāĻĻা āĻĒāϤাāĻা āύিā§ে āĻŦেāϰ āĻšā§ে āĻāϏেāύ। āϝৌāĻĨ āĻŦাāĻšিāύী āϤাāĻĻেāϰ āϏাāĻĨে āϏāĻĻā§ āĻāĻāϰāĻŖ āĻāϰে। āĻŦিāĻŦিāϏিāϤে āĻ āĻāĻŦāϰ āĻĒ্āϰāĻাāϰ āĻāϰা āĻšā§। āĻ্āϝাāĻĒ্āĻেāύ āĻāĻšāϏাāύ āĻŽাāϞিāĻ āĻĒāϰে āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻŦীāϰāϤ্āĻŦেāϰ āĻĒ্āϰāĻļংāϏা āĻāϰেāύ।
āĻĒুāϰো āĻŽুāĻ্āϤিāϝুāĻĻ্āϧে āĻাāĻŽাāϞāĻĒুāϰ āĻ
āĻিāϝাāύে āϏāϰ্āĻŦāĻŽোāĻ ā§§ā§¯ā§ āĻāύ āĻŽুāĻ্āϤিāϝোāĻĻ্āϧা āĻļāĻšীāĻĻ āĻšāύ, āĻāĻšāϤ āĻšāύ āĻ
āϏংāĻ্āϝ। āĻ
āύ্āϝāĻĻিāĻে āĻĒাāĻিāϏ্āϤাāύ āϏেāύাāĻŦাāĻšিāύীāϰ āĻŽেāĻāϰ āĻāĻā§ুāĻŦāϏāĻš āĻ
āύ্āϤāϤ ⧍⧍ā§Ļ āĻāύ āϏেāύা āύিāĻšāϤ āĻšā§। āĻŦীāϰ āĻāϤ্āϤāĻŽ āĻĨেāĻে āĻŦীāϰ āĻĒ্āϰāϤীāĻ āĻŽিāϞিā§ে āϏāϰ্āĻŦāĻŽোāĻ ā§¨ā§¯ āĻāύ āĻŽুāĻ্āϤিāϝোāĻĻ্āϧা āϏাāĻšāϏিāĻāϤা āĻĒāĻĻāĻ āĻĒেā§েāĻেāύ āĻেāĻŦāϞ āĻাāĻŽাāϞāĻĒুāϰ āϝুāĻĻ্āϧেāϰ āĻāύ্āϝāĻ; āĻŽুāĻ্āϤিāϝুāĻĻ্āϧেāϰ āĻāϤিāĻšাāϏে āĻāĻŽāύ āĻāĻĻাāĻšāϰāĻŖ āĻāϰ āĻāĻāĻিāĻ āύেāĻ। āĻāϰ্āĻিāϞাāϰি āĻāĻŦং āĻā§াāϰ āϏাāĻĒোāϰ্āĻ āĻাā§া āĻāϰāĻāĻŽ āĻĻুāϰ্āĻে āĻšাāύা āĻĻেā§াāϰ āĻāϤিāĻšাāϏ āĻŦিāĻļ্āĻŦে āĻŦিāϰāϞ।
★★⧧⧝ā§ā§§ āϏাāϞেāϰ āĻāϰ āĻোāύো āϝুāĻĻ্āϧে āĻাāĻŽাāϞāĻĒুāϰেāϰ āĻŽāϤো āĻāϤ āϏāĻŽā§ āĻ āĻ
āϏ্āϤ্āϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻšā§āύি। āĻĒাāĻāĻŦাāĻšিāύী āϝে āĻৌāĻļāϞে āĻĒ্āϰāϤিāϰāĻ্āώা āĻĻুāϰ্āĻ āύিāϰ্āĻŽাāĻŖ āĻāϰেāĻিāϞ āĻāĻŦং āĻŦাāϰāĻŦাāϰ āĻŽুāĻ্āϤিāĻŦাāĻšিāύীāϰ āĻāĻ্āϰāĻŽāĻŖ āĻĒ্āϰāϤিāĻšāϤ āĻāϰেāĻিāϞ āϏেāĻা āĻĒ্āϰāĻļংāϏāύীā§। āĻিāύ্āϤু āĻŽুāĻ্āϤিāĻŦাāĻšিāύী āϝেāĻাāĻŦে āĻাāĻŽাāϞāĻĒুāϰেāϰ āĻĒāϤāύ āĻāĻাā§, āϏেāĻা āĻāĻ āĻŽāĻšাāĻাāĻŦ্āϝ āĻāĻŦং āĻāϤিāĻšাāϏেāϰ āĻ
āύ্āϝāϤāĻŽ āĻŦীāϰāϤ্āĻŦ। āϤāĻŦে āĻ āĻŽāĻšাāĻাāĻŦ্āϝ āϞিāĻāϤে āĻĒ্āϰāĻুāϰ āϰāĻ্āϤ āĻāϰāĻ āĻšā§েāĻে। āĻāϰ āĻāĻ āϰāĻ্āϤ āĻĻিā§েāĻ āĻāϏেāĻে āϏ্āĻŦাāϧীāύāϤা।
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#1971_Strories_by_sartaj
#⧧⧝ā§ā§§_āĻĢ্āϰāύ্āĻāϞাāĻāύেāϰ_āϏেāϰা_āĻ
āĻĒাāϰেāĻļāύ
© ⧧⧝ā§ā§§: āĻĢ্āϰāύ্āĻāϞাāĻāύেāϰ āϏেāϰা āĻ
āĻĒাāϰেāĻļāύ ( Sartaj Alim)
East Bengal Regiment is the pride of Bangladesh Army. One of the most dangerous regiments in the world, this regiment has a history of attacking the enemy like a tiger and then destroying the enemy. This regiment defeated the Indian army and at the same time separated from its own forces and defeated them and played a major role in independence. Read today about one of the ultimate battles of the East Bengal Regiment, which will surpass your imagination, will also defeat the cinema. "Battle of Kamalpur" Author: Sartaj Alim, he wrote the whole war incident in three episodes, we are presenting to you in three episodes in phases.
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In the war of independence of Bangladesh, 6 people have received medals starting from Bir Pratik to Bir Shrestha. And 29 of them got only for the battle of Kamalpur (Jamalpur district). What happened there?
Military importance of Kamalpur
After Operation Searchlight, the Pak army was deployed in all important places of the country. Strategically such an important place was Dhanua Kamalpur Union in Bakshiganj upazila of present Jamalpur district. Kamalpur is also known as 'Kamalpur' in some places. The Pak army knew that the freedom fighters would enter the country from India and try to chase the Pak army from the border area towards Dhaka. There were some possible ways for the Mukti Bahini to move forward like this-
1. Expedition to Dhaka across the Meghna River via Comilla-Brahmanbaria;
2. Dhaka expedition across the river Padma via Khulna-Magura;
3. Expedition to Dhaka via Rajshahi-Bogra-Pabna, crossing Jamuna-Brahmaput river;
4. Dhaka expedition through Jamalpur-Mymensingh etc.
There were big rivers in all possible routes of Dhaka expedition. But the Jamalpur-Mymensingh road is not as wide as other roads. There was also a huge free zone in the Tangail region due to the Kaderia forces. Tangail was south of Jamalpur. If the Pak army had been removed from Jamalpur, a large area of Jamalpur-Tangail would have come under the control of the freedom fighters and the Dhaka operation from here would have been very easy. It is also the gateway to the Mymensingh-Dhaka highway. Therefore, the target of the freedom fighters is Jamalpur.
āĻĒাāĻ Pak army in Kamalpurঃ
Realizing the importance, the Pak army organized a massive army rally at Kamalpur. The 31st Baloch Regiment of the 93rd Brigade of the Pak Army was stationed at Kamalpur, Nakshi and Baromari. There were 31 Balochs in Kamalpur-
A platoon of 1.60 Rangers (Pakistan Border Security Force);
2. East Pakistan Civil Armed Forces (Pakistan Army formed an army called ‘Civil Armed Forces’ with arms training of about 20,000 Biharis);
3.1 Platoon Razakar.
ঃ Base construction:
In a few steps around the main base, a lot of reinforcement concrete bunkers, small pillboxes (small one-of-a-kind houses surrounded by strong walls. The freedom fighters used 3 inch mortars. But due to the reinforcement concrete, it was almost impossible to do damage with this mortar. Tin and iron beams were also used in the bunker.
A communication tunnel is dug for the communication of the bunkers. Sitting in front is Minefield (Anti-Tank and Anti-Personal) and Booby Trap. Tree stumps and concrete blocks were laid around the base. At least 500 meters of trees and all the jungle in front of the bunker were cut down and cleared so that one could actually see the gunfire very easily.
61 mm mortars and artillery were deployed with the infantry.
A watch tower was also built. Logistics were delivered here by regular helicopters from Dhaka. All in all, the Pakistan army turned Kamalpur into a fort.
Their idea was that if the Mukti Bahini attacked, it would become a graveyard for them and they would not be harmed to stay inside the fort. The Pak army also deployed mortars (63 mortar batteries) with the troops at Bakshiganj, a base near Kamalpur. They could move towards Kamalpur in any need.
From June-July, the Military Brigade Z Force of the Mukti Bahini formed under the leadership of Major Ziaur Rahman (later Lieutenant General, Bir Uttam) was formed. The brigade was a regular force formed under the Bangladesh Armed Forces. It was formed by 1st, 3rd and 6th Battalions of the East Bengal Regiment. Z Force was given the responsibility of attacking Kamalpur.
July 26, late at night.
A group of freedom fighters secretly went near Kamalpur base. The team consisted of Captain Salahuddin Mumtaz (Bir Uttam), Lieutenant Abdul Mannan (later Lieutenant Colonel, Bir Bikram), Naik Subedar Abdul Hai (Bir Pratik), Subedar Abul Hashem (Bir Pratik), Naik Shafi. Reiki has been done twice before. But Captain Saladin wants to see everything with his own eyes.
Suddenly, the two soldiers who were returning from patrolling were confronted by the group that had come to do Reiki. Captain Saladin jumped on one of them. The scuffle started. Another raised his weapon towards Subedar Hai and said 'hands up' as soon as Subedar Hai knocked him down with the butt of his rifle. By then another 6-foot-tall khansena had grabbed Captain Saladin by the feet, 5 feet 5 inches. Saladin called Mannan. Lt. Mannan and Hai came running and the khansena fled as soon as they hit the barrel of the stengun. Subedar Hai fired at the Pak army in the dark.
Captain Saladin leaned on Subedar Hashem's shoulder and quickly ran through the weeping water and ran to safety. Subedar Hashem also had two weapons on his shoulder. But the Pak army became cautious. Thinking that the attack of the freedom fighters was imminent, two companies increased their army. On 29 July, General Niazi, the Chief of Army Staff, visited the base.
On the night of 31 July, the freedom fighters first decided to attack Kamalpur. The 1st East Bengal Battalion led by Major Moinul Hossain (later Major General, Bir Bikram) of Z Force was asked to attack Kamalpur. Major Moin did not agree to such a quick mission. No one usually thinks of attacking such forts without artillery / cannon support.
According to him, attacking a strong Pakistani base like Kamalpur through set-piece warfare (a war in which the enemy attacks the enemy forces with large forces. Large forces are divided into small groups. Depending on the situation sometimes goes to offensive or defensive positions. Neither the Z Force nor its battalion has the capability (in terms of weapons and troops).
Major Moin wanted Hit & Run (small surprise attack, blink of an eye and then go out of sight of the enemy) and weaken the Pakistani forces in a guerrilla manner. Weakening energy, weakening, then full attack. But Ziaur Rahman did not change his mind, mainly because of the High Command's instructions and the strategic importance of the base.
āϏেāύ Liberation of Mukti Bahini in Kamalpur attack.
The code name of the 1st East Bengal Regiment is 'Senior Tigers'. There are 4 companies of soldiers under this battalion. The whole battalion will attack the fort of the Pak army.
1. Captain Mahbubur Rahman (Bir Uttam) along with his company will take position behind the enemy base.
2. Captain Hafiz Uddin Ahmed (Bir Bikram) and Captain Salauddin Mumtaz will take position in front of 600 meters of Pak base.
3. Major Moinul Hossain Moin along with his wireless operator and Flight Lieutenant Liaquat Ali Khan will take up position in the jute field.
4. Major Zia will take position with machine gun at Tila a little further away.
5. As a cut-off party, a force will lay mines on the Kamalpur-Bakshiganj road and take up positions at the Kamalpur-Srivardi junction and Uthanipara to prevent any Pakistani reinforcements from Bakshiganj. ) Can't come to Kamalpur.
āĻĒ্āϰāĻĨāĻŽ The first major attack on Kamalpur
After sunset on the 30th, after having dinner, the freedom fighters left the Mahendraganj camp in India. They started walking in heavy rain and mud.
The H hour of the Kamalpur attack (the time of the onset of the attack, the time when all the positions were fired upon at once) was 3:30 pm on the 31st. But disaster struck at the beginning. Except for the cut-off party and Major Zia's machine-gun forces, no one was able to reach the Forming up place in time.
After several days of continuous rain, walking speed in the muddy area became very slow. The Mukti Bahini had to crawl on the bed near the base, because if you walk straight, the Pak army will see you from a distance. Meanwhile, as the H hour started, machine gun fire started from the hill. But the attacking troops could not reach the other position. If you want, H hour 20-30 minutes back. But another danger came to the fore! The wireless is not working. The problem is that the sixteen arts are full of wireless jams. As a result, the Mukti Bahini companies failed to keep in touch with each other.
Meanwhile, as soon as the Mukti Bahini started firing, the Pakistani army started firing back. The newly recruited soldiers of East Bengal are running towards the Forming up place. But the new recruits face another danger. The terrible sound of mud and cannons started a commotion among themselves. One fell on the body of another while running hard. All in all, the attacking team itself fell into a mess.
The freedom fighters were perplexed. Pakistani troops opened fire in full force from a safe position. Heavy artillery shells are coming in front and behind. It was easy for the Pakistanis to hit the target from the noise that was being made when so many people were running together. Wireless jam on him. Chaos culminates.
In this situation it was not at all possible for East Bengal to devise a strategy of attack. The soldier who was supposed to take up position under a tree with a machine gun still could not reach his position, the soldier who was supposed to shoot at the bunker with his rifle was also drowning in the mud.
In this situation, it was very normal for the army to flee. Because if the attacking forces did not form properly, there is no question of attacking them.
During the Pak-India war of 1965, while a large Indian army was forming up, three Pakistani tanks appeared and the Indians fled. The Pakistanis thought it would be the same again. Meanwhile, fear among the Bangladeshi army. And there is no discrimination of fear. It consumes everyone equally.
But in times of adversity, some people become great human beings. With an excellent superhuman act, he pushes the adversary towards the opponent. When the freedom fighters were humiliated, Delta Company Commander Captain Salauddin Mumtaz jumped with new weapons.
A brave voice was heard in the handmike just when the fear of full rate was gripping the ★★ Mukti Bahini!
When Delta Company Commander Captain Salauddin (Martyr, Bir Uttam) stood in the minefield and faced heavy firing, he did not lose his courage and started shouting at the Pak army.
"Avi tak waqt hai, shalalok surrender, nehit zinda nehi chorenga.
(Surrender in time, I will not leave you alive later)
Yahya Khan has yet to create a bullet that will pierce Mumtaz.
If you have to die, take the Pak army with you. Be martyred on the soil of Bengal, young men! ”
Captain Salauddin started mixing Bengali-Urdu-English and abusing the Pak army's hand mic. In the meantime, the fear of the freedom fighters began to turn into morale. The soldiers started attacking with the slogan "Joy Bangla". The jawans kept trying to form up quickly. In the darkness, one is falling on top of the other. The Bengali soldiers who landed on the low muddy land were in the most danger. They are in the midst of enemy and comrade-in-arms shots. Major Moin was also screaming.
Capt. Salahuddin and Hafeez, the commanders of Delta and Bravo, are rushing to get everyone in the right position. The two commanders successfully took control of almost the entire Besamal force. As they began to advance towards the camp, the Pakistani artillery's Selvo Fire (fire of all guns / cannons at once) started like lightning. Everyone lay down on the ground. Will it not be possible to attack even after so much hardship?
Captain Salauddin picked up the megaphone again. ‘Move Forward!’ At the same time, he started abusing Bengali-English-Urdu targeting Pakistanis on megaphones.
★★ So far the war has been completely in favor of the Pakistanis. Their victory was just a matter of time.
But then something happened that made their souls fly away!
āĻāϝ় āĻŦাংāϞা
āĻāϝ় āĻŦাংāϞা
Starting from the army in the back, the army in the front line was also bombarded with screams. It is unknown at this time what he will do after leaving the post. But as soon as a slogan was raised, everyone started chanting slogans continuously.
★★ Before sunrise on the 10th, the freedom fighters blocked Kamalpur BOP from all sides. There are only two avenues open for the enemy stationed at Kamalpur BOP; Either fleeing in small groups in the dark of night or attacking the positions of the freedom fighters together.
The freedom fighters strengthened their position by constructing several bunkers overnight. From the front of their position, a 1-3 feet deep water field begins. The Mukti Bahini was ordered to open fire within 100 yards of the defense system. The plan was that when the enemy forces came out of the Kamalpur base and launched an attack, another company army would occupy the completely or partially abandoned Kamalpur base. For this, a company was instructed to be ready in the camp of the freedom fighters.
āĻĻুāĻĒুāϰ From noon on the 11th, the Pak army started attacking the position of the freedom fighters. In the afternoon, a group of freedom fighters led by Major Taher marched towards Mainkar Char sub-sector, 18 miles from Mahendraganj. Upon reaching Mainkar Char, Major Taher received word that Pakistani troops had attacked the positions of the freedom fighters in the villages of Dhanua and Khas. Upon receiving the news, he left for Mahendraganj.
Shortly after Major Taher left the Mahendraganj camp at half past two in the afternoon, a detachment of the Pakistan Army from Kamalpur proceeded towards the village of Khas to attack. The company of the 1st East Bengal Regiment, located in the village of Khas, became agitated and started firing before the enemy reached the target. The Pakistani army ignored the firing and proceeded recklessly with heavy weapons. One Naib Subedar of the 1st East Bengal Regiment and another Joan were killed in their retaliatory fire. At that time, someone from behind shouted that another group was coming from Bakshiganj to attack the army. This caused chaos in the company and they left their place and started retreating.
When the freedom fighters started firing a machine gun from the south side of the Dhanua-Kamalpur position, the Pakistani troops attacking the village of Khas suffered casualties and were eventually forced to retreat. He grabbed the barrel of the machine gun and burned his hand. Major Taher returned to Mahendraganj at 4.30 pm. Arriving at the camp, he searched for the company he had instructed to be ready for the Kamalpur BOP attack.
This company was sent around Kamalpur BOP to strengthen the defense of the freedom fighters. As a result of sending them to the defense line, there is no extra army to attack. As a result, the base could not be fully occupied and the attack could not be carried out that day. Although Kamalpur did not fall in today's battle, the morale of the freedom fighters was strengthened.
Final Fight: Road to Dhaka
From November onwards, the severity of the attacks on the enemy was increased.
The Mukti Bahini launched an all-out attack on Kamalpur from 12 noon on 14 November. The plan is the same as before. On this day two companies of the 13th Guard Regiment and the 1st Maratha Regiment of the Indian Army were deployed as reserves. Kamalpur
At that time, the company commander, Lieutenant Mizan Wakitki, told Major Taher that he had reached near the Pakistani bunker. But after a while, Lieutenant Mizan lost contact with Major Taher.
At about 8:30 a.m., Major Taher advanced from his position to the main battlefield. He started moving forward by firing in front of his jeep. He was worried that Mizan would not be found. He was found on the main battlefield. Major Taher was standing under a tree instructing the troops. The fall of Pakghanti is a matter of time.
Abu Taher was wounded in a landmine or artillery shell at around 9 p.m. He fell to the ground, but did not lose consciousness. When everyone started coming towards him, he instructed everyone to lie down. If so many people crowd in one place, the enemy will fire there again, which will increase the casualties. He was later taken to a hospital in Guwahati, India. One of his legs had to be amputated. The freedom fighters returned without occupying the base that day. Meanwhile, Major Taher wrote a letter to Lieutenant Mannan from the hospital. It said,
“CLEAR THE ROAD FROM HERE TO DACCA. LOOK AFTER MY BOYS. I LEAVE EVERYTHING TO YOU. GOD BLESS YOU ”
āĻĒাāĻ The Pak camp was besieged for 11 consecutive days from 24 November to 4 December. Allied forces led by Brigadier Clare also joined at this time. Although India was directly involved in the war with Pakistan in December, it has been involved in small-scale border skirmishes since March-April.
On 26 November, the Indian troops moved very close to the Pak base in silence. But the Pak army fired when they heard the sound of someone coughing. 20 people were killed. It was seen that 33 people were being killed when 100 Indian troops attacked. Brigadier Clay did not want so much damage.
āĻĒāϰাāĻŽāϰ্āĻļ In consultation with the Liberation Army, Brigadier Clay decided not to attack Major Taher's tactic Encirclement. The freedom fighters laid siege to Kamalpur. They try to get help from outside but they resist. In the meantime, several airstrikes were carried out. On 29 November, Lieutenant Colonel Sultan Mahmud, commander of the 31st Baloch Regiment, tried unsuccessfully to send reinforcements to Kamalpur.
★ On 4 December 1971, freedom fighters Bashir Ahmed and Anisur Rahman Sanju took the message of surrender to the Pak army. When the freedom fighters enter the base, they realize that they have great sorrow in their foreheads.
The Pak army was forced to surrender. Captain Ahsan Malik came out with a white flag. The joint forces treated them kindly. The news was broadcast on the BBC. Captain Ahsan Malik later praised the heroism of the freedom fighters.
A total of 196 freedom fighters were martyred and many others were injured in the Kamalpur operation during the entire war of liberation. At least 220 Pakistani soldiers, including Major Ayub, were killed. A total of 29 freedom fighters have received bravery medals from Bir Uttam to Bir Pratik only for the battle of Kamalpur; There is no other such example in the history of liberation war. The history of raiding such forts without artillery and air support is rare in the world.
āĻোāύো No other war in 1971 has used as much time and weapons as Kamalpur. The tactics used by the Pak army to build defensive forts and repel repeated attacks by the freedom fighters are commendable. But the way the Mukti Bahini brought down Kamalpur is an epic and one of the heroism of history. However, a lot of blood has been spent to write this epic. And with this blood came freedom.
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# 1971_Strories_by_sartaj
# 1981_Frontline_best_operation
© 1971: Best frontline operation (Sartaj Al